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"Among other elements, speaking in favor of its use, do not forget about the one that is generated by a specific feature film production: on cooperation."In this regard it would, however, be argued that Eisenstein films in varying degrees, were the result of collaboration.In any case, Barbaro wrote that script can not be regarded as a spiritual act of the film, regardless of its material production, since the film becomes so only by being raised, and his previous literary presentation, no matter how detailed, thorough and accurate as it is, does way can not be replaced.Can not replace the film and the script is also written on the product already delivered in the same way and for the same reason that any literary description 14 "tion canvases of the artist or the symphony can not replace art or music.But, despite these statements, Barbaro also more likely to be download the film Tendres cousines
and underestimated, but rather to emphasize the importance of the script, read it, if not the main, one of the most important elements of the film. This is evident also from some of his later work, published in the already mentioned our collections and in the journal "Bianco e Nero".Consistently adhering to our principles, Barbaro still comes from the holistic nature of the concepts of art and the collective nature of creativity and contrasts the actor - the executor of the literary and theater actor - an innovative element of the staging of theater - akteratvortsa in film."Non-actors in the film, only the author of which - its director, and stage actor, a renegade theater scene in the film, the author of which is its screenwriter, is now fully download the film Tendres cousines
and justified in terms of aesthetics - says Barbaro - we oppose film actor who is not fulfills the earlier and writtenart, as his fellow stage, and does not represent in the eyes of the director and the operator only pure nature like a table or a tree, and in the ideological unity with others in the future helps create a work of art. "However, Barbaro does not deny "amazing results" achieved by Russian, Murnau and his followers. On the contrary, the theory of film without actors, and therefore installation execution were, he says, "is an important and necessary step in the search for aesthetic cinema;at the current stage of development of the aesthetics, that is the design of the activities of film actor, many of the basic elements of the theory go back to. " Film without actors, especially in some of the necessary "Umbert o" Barbaro, L'attore cinematografico. - В«QuadrivioВ», Roma, VHI.Byh cases, "is proof and a reaffirmation of some of the provisions that are required in practice of professional actors and directors of the governing." For convenience and clarity, the Italian theorist analyzes the activities of film actor from two points of view:technically, that is professional, understood as the mastery of the means of expression and the ability to own their own bodies, and on the inside, that is at work on the role in accordance with the requirements of the work as a whole."It certainly does not mean a desire to revive the senses with a situation that needs to be present, and indicates a desire to understand and perform the functions assigned to that role in the overall unity of the next movie;So, it is not the fruit of the sensitivity or feelings, and creative imagination, which aims at achieving not natural, and therefore the low-lying and antihudozhestvennoy psychological plausibility, and poetic and ideological expression.