FILM THE GIRL NEXT DOOR
Total 5 years of storage pyatishesti scenery for plays and furniture would have cost 8,000 rubles.Assume that the play's only been renewed for a total of 10 times 30 times 30, and that these performances were given 1,200 rubles, which is 36 000. Total expenditure from 8000 rubles you can get 30,000 rubles.But this picture is actually much larger, since the sheds can be stored three productions, and more, and kakayanibud furniture, successfully bought for the occasion, in his time, for 5 years will bring not only financial, but also artistic benefit, as would bring I now favor a missed setting for "Inspector" is benefited in a number ofplays all my purchases "at random vPeterburge. directorial often said that the directors in our theater despots. Which joke! 31 directors have been driven this poor horse.Their work is in fact not only not valued or understood by anyone over them scoff and mock up until exhausted truzhenikrezhisser begins to hysterically yell or scold the whole theater.When a director is brought to a state from which scream "guard", then only company pulls and thinks about his inhuman demand and respect to the simple and mortal worker. About the ethics of such abnormal relations will be discussed in due time.While I'm interested in the theater arts abnormality that caused such an attitude to the director. It is very likely that this irregularity is created by ourselves, and that we share so cruelly pay. Wash the root of this error was founded at the beginning of the case.At the base theater for youth and nesygrannosti troupe, with the inexperience of the rest of the artistic director it was the center, from which the rays. He was the creator and artistic administrator, initiator performance.He pasted layouts, and he picked up kroil suits, he bought all the details or choose the mount, he was explaining the play, he studied it, he developed the psychology of the roles from the most important to the most recent extras himself experienced and download the film The Girl Next Door
and played for the artist, giving him to go on his footsteps, or simply copy it, he encouraged the weak in spirit artistpersuade lazy, etc., etc. Now the actor and other theater workers grew artistically, but they have kept the habits of people indulge in childhood.They have not learned self-reliance, they have little self-initiative in the works, they are poor creative material and because they or as beggars waiting for handouts from the directors, or a spoiled people demand it.Directors still show all the actors who, with a few exceptions, are not able to save a no seeds for creative planting. Buds of creativity and still invested in artists director. Actors learn only grow these seeds, gather the crops and skillfully share them with the public.How many of our artists are able to create an image of the house and show them to the rehearsal?