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"Yes," the fire of desire to "let the dull, even gloomy even. Without this, no fire stalker will not display and no power or unearthly around here does not answer vague voproschanie, which are weak and falls dale .Timeless and fantastic "Stalker" in a strange way, and can be read as a picture of the historical, social, even: in this sense perekuvyrk that occurred with the hero scenario significant. download the film Sex and the City
and Passed a time of hope, and with it the figure of an action hero, the hero of the practice, such as Boriska."Stalker" is not only a dystopia, it is also a document of timelessness. On the basis of timelessness, the practical impossibility of historical action rises messianism "late" Tarkovsky's "Nostalgia" and "sacrifice." Love and poetry, art eternal support for the human soul, even if it is, in the words of the same Tyutchev, "... pressed to ashes, trembling with pain and powerlessness. "and appeals to the world of childhood again unlocks the world of Tarkovsky, its hidden meaning ... PS A few years later, the word" zone ", which was before the sinister camp meaning in Russian, is marked the same thing that the movie 141 where disaster struck.And the TV shows first images of the non-military ruins and landscapes, more fantastic than any screen wonders: the empty house and gardens, woods, where no human foot can tread.And the border areas, and the first not, not a stalker, of course, just villagers who make their way into the Zone, okuchit whether tomatoes or dead fish in the water, because the imagination of man really does not cover intangible, invisible danger. And already enveloped the name "Chernobyl" apocalyptic responses and associations.And the star Wormwood, who fell to the ground, is remembered ... Mythology makes it more portable for human consciousness look at the reality of being a crude, which far download the film Sex and the City
and surpassed the XX century imagination and possibilities of perception? Tarkovsky about the film "Stalker" "It was very important that the script of this film to the three requirements of unity:space, time and place of action. In "Mirror," it download the film Sex and the City
and seemed to me interesting to mount a row chronicle, dreams, reality, hopes, beliefs, memories confusion of circumstances that put the hero in front of relentless questions of existence, the "Stalker" I wanted to make a film of mounting gluing no time gap.I download the film Sex and the City
and wanted the time and its flow were detected and there inside the frame, and mounting bonding would mean the continuation of the action and nothing else, that it did not carry with them the time of failure, do not serve as the selection and organization of dramatic material as if I was shooting a movie in one shot " ."In the" Stalker "can be called a fantastic original situation ... but in fact what is happening with the characters, there is no fiction.
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Film is done so that the viewer had the feeling that everything is happening now, that area next to us."Feyginova editor on the film "Ivan's Childhood" and "Andrei Rublev", "Solaris", "Mirror", "Stalker" Lyudmila, from what movie did your work with Andrew Arsen'evich?