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Fairy tales of the Viennese wood
Couleur locale plays given us so as to show his love for his paintings and Manet and Renoir.We have studied in Moscow, all materials and documents the era that could get. Great help to us to have hundreds of illustrated French, English and Russian journals of those years. During my trip to Paris, I read with a lot of iconographic material.While working on the show we download the film Take Care of Us and introduced the actors with the descriptions of French society, Mastercraft great novelists Balzac and Flaubert. Works of French classics helped us strengthen social significance show.Feast scene in Olympia is given with particular sharpness in the beginning of Act IV and particularly tragic in the end to show otchet287 livee guilty of bourgeois society in the death of Marguerite Gautier, this "girl of the people," the victim of bourgeois. The scene in the "salon" Olympia echoes the feast of "shagreen skin" Balzac.We have introduced a new player characters, even in the cards. One motif borrowed from Flaubert. Put into play a new character - the reader of Flaubert, flaunting quotes from Flaubert's "vocabulary truths." Cockade, mocking bourgeois, speaks on behalf of imaginary bourgeois. Only occasionally, he says of himself, stylizing, but his lines under Flaubert.All aspirations theater were designed to identify possible brighter social motivations that are disclosed by the Dumas too timid. We have built in to play a few passages from the novel "The Lady of the Camellias." One of the most significant sites of social play - monologue Marguerite Gautier - taken from the novel.We wanted to show in the play is not the middle strata of bourgeois society, with its apex. Armand Duval in our performance was the son of tax inspector, like Dumas, a son of a major manufacturer. Even before, when directors were unable to strengthen social themes of the play, she still was often banned censorship.If you manage to make the audience watch with attention for all the ups and downs of women Captain and oppressed by "a strong part of the human race" - we will consider ourselves satisfied;We will show that the full emancipation of women is possible only where there be full abolition of exploitation of man by man, that is in the world that builds the classless society. III. LETTERS Shebalin June 24, 1933 Dear Vinnitsa Vissarion Yakovlevich, I ask you to forgive me for my mistake:I promise to you to talk with you about the music to the "Lady of the Camellias," that you want to have on you for this piece Dyumasyna, I have Captain online and tried to carve out at least half an hour of my time budget, which, though much has been loaded in Moscow works and works , but not enough to not hold a so important to both of us neededhalf an hour for our conversation. Here I write. Again, I ask you to forgive me for my second mistake - this is a letter I had to write to you from Kharkov, where 288 I left Moscow shortly after our agreement in principle with respect to your music, "Lady of the Camellias," and writing two weeks later from Vinnitsa.