They are objects of permanent reorganization, when a new image can appear from any point of the previous image.The organization of space in such cases lose the privileged direction, and above all a privilege verticality of way still shows the location of the screen - at the expense of, say, an omnidirectional space, constantly varying their own angles and coordinates, swap the vertical and horizontal.It appears that the screen itself - even if it is conditionally preserves the vertical position - no longer refers to the postures of man;but generates some information table, opaque surface on which is written "data", whereby information supersedes nature, and mozggorod, tre1 Syberberg, unlike Benjamin, goes not from the idea of the reproducibility of art works of art, and the idea of cinema as obrazadvizheniya :"For a long time proceeded from the oft-repeated thesis that talk about the movie is talking about the movement," of moving images, moving cameras and installation. Syberberg also believes that the culmination of this system was the work of Leni Riefenstahl and her "teacher hiding behind the scenes.""But forget that at the very cradle of cinema koechto stood still, namely projection and transparency": this is another type of image, having in mind the "slow and controlled movement" capable of movie care of us
and include contradictions in motion or in Hitler as a director. Wed .:«Syberberg», a special issue «Cahiersdu cinema», fevrier 1980, p. 1 Wed .: Kane Pa s with al, «Mabuseetlepouvoii». «Cahiersdu cinema», no.309, mars 2 O not only technical, but also the phenomenological differences between the different types of images, you can
and deal in research ZhanPolya Farge in «Cahiers du cinema» and Dominica Belluara in a special issue «Video art explorations».In an article in the journal «Revue d'esthetique» Edmond Kusho gives some properties of numerical definition or digital images, which he calls «immedia», as the funds in the full sense of the word they are no more. The main idea of this article is that in television there is neither space nor even an image, but only the electron nye line:"The most important concept to television - this time." 598 m Gilles D Elez KinoObrazvremya 599 Tille eye displaces the eyes of Nature.Finally, since the audio element gaining autonomy, with ever greater clarity gives it the status of an image, two images - audio and visual - enter into a complex relationship of subordination and even without commensurability and reach the limit on the total as one gets to the limit of its own. Captain!
.In all these ways, the new spiritual automatism, in turn, refers to the new psychological automata. But we have not dealt with the question - what is it, cerebral creativity, or, conversely, the inefficiency of the cerebellum?New automatism in itself does not mean anything if it does not serve as a powerful, dark and dedicated to the art of the will and if he does not seek to reveal through involuntary movements, this will however not contradictory.