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Fairy tales of the Viennese wood
WATCH THE FILM TAKE CARE OF US Degas drew "photographic" style, not adjacent to kakomuto certain direction.Perhaps Degas understood that in the absence of a specific compositional style of some photos hidden life force that lacked static staged photography. This position, as well as any arbitrary frame borders and the use of perspective photography with fast shutter speeds Degas embodied in many of his paintings.IMPACT recently, while the art of photography to provide an alternative over-intellectual approach to composition, many artists of the late XIX - early XX century also questioned the generally accepted principles of the classic image of the object and of composition.With the advent of photography traditional problem of artists, consisting of persons in the image, or a landscape, was partly dampened. The dominant style in the middle of the XIX century painting was realism.The art of photography to convey precisely the reality that only reinforced the importance of this to the dominant style and full of a degree even deprived of the social role of the artist a person who has the only profession that allows you to visually reproduce nature, people or place.In the 1840s, portrait photography " challenged" picturesque portrait. With the development of technology in the 1850s and became popular landscape photography.Over the next three decades due to an increase in sensitivity of the film may be used on gates with opening hours from a ten seconds and represent "frozen" fast-moving subjects.Artists have found that their usual way to depict the movement was in fact incorrect, although the information was seen and the audience well. The increased in the 1860s and 1870s, the speed of the shutter opening allowed to take pictures, for example, the city of the world in all its transience and transience;Now you can shoot these objects and actions, which the artist is not even possible to capture. In the style of urban realism embodied a new type of composition, it was possible as it were random and ill- conceived image frozen in the movement of people and so on.This style also began to use new perspectives images, such as shooting a skyscraper designed P. Ward. Picture Composition for lilm and Television cool down the camera. Kogdav the late 1880's the company "Kodak" proclaimed:"You push the button, we do the rest", the set of "creators of images" were exempted from the need to learn the principles of classical art. Realism, gained popularity thanks to the development of photography, began to be perceived as some kind of enemy of art.Those artists who believed photography chemto more than "in the mirror", had to think about what are their own aesthetic principles, introduced into their pictures.Many artists are left trying to accurately depict the reality and went to look for solutions impressionistic, and later - to the images, where the main role played by color and shape.Since come to believe that only a camera can portray the really believable reality, artists began looking for new topics to work, to study the principles of the psychology of perception, as well as the ambiguity of human ideas.Artists also began to study the difference between the way people see a certain item, and that he knew about it. Not counting the first photographers to attempt to emulate the classic scenic images of objects and groups of people in the XIX century photography influenced painting, and not vice versa.When the painting XX century there were far from realism new themes and forms, photographers followed the artists and also began to pay more attention to the form and structure to the composition, not seeking to most accurately convey the reality.The use of simple forms, devoid of details, everyday objects, reducing the colors, strong color contrast, "intricate" textures and ephemeral fragments are common photographic images, which left its mark in the changing styles of painting in the first decades of the XX century.Some artists have waived the single angle of the Renaissance and eventually eliminate the metaphorical objects of his paintings, it was discovered the mutual influence of painting and photography.