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Fairy tales of the Viennese wood
Watch Online Do something completely different !! Opera Studio of the Bolshoi Theatre after the words: "... concerts for bread constantly distract them." At the time, there was a fashion for concerts, since the entire bulk of the new public eagerly pounced on art.There were not enough seats in the theater and concert rooms, had to organize private evening closed in different institutions and groups, which subscribed singers. Where the morning to solve important economic affairs, in the evening reigned art. Across Moscow, sang and recited.Demand for artists has been enormous, as the new spectator genuinely fond of art and pure. This passion helped the actors and give them a new salary. But this is a condition finer art of spoiled actors and at the same time prevented our pursuits, as robs the studios, which prepared operatic excerpts. After the words:"Overcrowding has forced the singers to stand still, and greater use of facial expressions, eyes, words, text, plasticity and expressiveness of the body." In such close quarters transitions actors and staging were performed with great deliberation and calculation. It is difficult, especially for inexperienced on the scene who like to play down.They think that you can not stagnate on the site, otherwise the audience bored, and are happy to entertain his constant movement that they produce mainly legs. I had to cut not only unnecessary transitions, and even the extra traffic. I went ahead and cut all unnecessary gestures, preserving some action.This economy of movement was built by me in principle and helped remove operatic gestures, well-known and ridiculed VAMPUKA. Rhythm, which was also the basis of performances and live-action, single-action is not required, as agreed with the music of such action that explains and complements the music reveals its inner meaning.Bringing the action, music, singing, speech, and the experience itself to one rhythm is the main force of the play. Here it is not a one outer rhythm of movement, but mainly about the inner rhythm of the experience;not about the rising rhythm of the hand or foot stepping, and the rhythm of the internal muscles of the motor center, which reproduces the movement of arms and legs. The size of the book does not allow me to speak in detail about the importance of internal rhythm and those searches, which I produced.I limited only by the fact that, speaking of rhythm, I mean this is the internal rhythm. After the words: "... help to recreate on stage the mood of the village of silence, which would have arisen, from the first meeting, the love of Tatyana to Onegin." But the guests arrived and everything changed.Daughters revived, old woman bustled around the house, leaving the visitors in the care of the girls.Two women's heads in awe and curiosity spy because of the columns arrived Onegin and Lensky, who in turn, hiding behind the other columns on the opposite side, whispering, and consider pretty village ladies, for whom "it was the time of love." It's getting dark, lit the lights in the windows.
movie download Take care of us tea table with a samovar, lit the lamp, the house beckons.