In creating temporitma help speech beats and sounds that sandwiching breaks and lyuftpauzami various durations.The actor is important to know how to combine these elements temporitma in speech and stops. It is especially difficult to learn to do it in poetic speech, as in the verse there is a limit duration of the stop, here unduly prolonged pause temporitma line breaks.137 - When reading the poem, - explained Stanislavski - you would like to have a "motor", which, like a tuning fork, will count rhythm. Let this "motor" and speak. You can do all sorts of breaks, but does not go out of rhythm, "motors". Very important, as you enter, after a pause. You should know well the text and score."The rhythmic prose poem or speech, the clearer the need to live out their thoughts, feelings, and all the implications. And, conversely, the clearer and more rhythmic thoughts, feelings and experiences, the more they need the rhythm of verbal expression. "Stanislavski calls our attention to the fact that reading any work can keep one speech plane, we must learn to sculpt pieces, group pictures, highlight the more important events.In case of a real artist text becomes convex, three-dimensional, it is deemed to purchase the base, walls, roof, spire, etc., are connected together. And then get a true work of art. Last, but not least responsible than previous point in a dramatic reading of a work on the author's text.Stanislavsky categorically opposed rote text story or poem, as it later - and the role of the text: in this case the word sits on the tongue muscle, and it is dead. Therefore, the transition to the author's text, it is considered possible only after are complete all previous stages:deepening given circumstances, the establishment of precise logic of events, the assessment of the facts, the accumulation of vision, creation and strengthening of internal monologue, finding subtext and temporitma speech.In these phases Stanislavski encouraged to try to express ideas in your own words, and only when this preparatory work is completed, re-read carefully the text of the work.Experience shows that if the actors eagerly absorb every word of the author - it is a good writer brighter, deeper, definitely expresses the thoughts that for the artist at this time has been allowed to own. That part of the author's text, which will be remembered after this reading, is to be in your own text actor.Return to the text of the new product will eventually replace all the actors' words of the author. With such a mastery of the text will not be lost in the most important property of elocution - its activity.Catching up with the Studio art reading, checking they had download the film The Invaders
and prepared the assistants stories, Stanislavski paid attention to all components of elocution.
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Work on the role As download the film The Invaders
and mentioned, Stanislavski did not recognize the work of the excerpts from the play.However, he found that the Studio, has mastered the basic elements of acting psycho, begin to apply their knowledge in practice.