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Fairy tales of the Viennese wood
WATCH THE FILM PRAGUE SPRING ONLINE Krakauer expressed the hope that the masses will be able to spread the cult of entertainment, despite the efforts of the middle class.Why Krakauer encourages dissemination of mass entertainment? Because of its properties: an incredible speed in changing incentives, not allowing yourself in meditation, a mosaic of programs and above all the familiar qualities of other texts "superficiality."This quality makes meaningless concepts such as identity, inner peace, tragedy, etc. The author of the essay says: "Here, in a purely surface, the public appears to itself, its own reality is revealed in the fragmented sequence of splendid sense impressions.If this reality remains hidden from the public against her will can neither fight nor change it;its detection in entertainment is so moral value "Randomness kinozrelischa reflects a lack of order in society, and therefore it is more adequate to reality than the traditional culture, which tends to assimilate the chaos in some organic whole.Idealize the culture of organic unities Krakauer characterized as reactionary. The researcher notes the desire to master the classical culture cinema:"Fun - that makes sense only as an improvisation, as uncontrolled anarchy reflection of our world - draped in fabric, forcibly driven into a unity that no longer exists.Rather than accept the current state of disintegration, which are meant to represent such a spectacle, different fragments are glued together after the fact, in order to present them as organic creation "This process is carried out in large Kinopalace seeking to incorporate the diversity of fragments in psevdoorganicheskoe unitytheater space and lush programs. The "Cult of entertainment", partly oriented almost avant-garde concept movie, show through the apology of mass culture, Krakauer is not very original. It is easy to see that his ideas resonate with the views Mirendorfa or Leonard.download the film Prague Spring and Outlined in this essay approaches are more profound development a year later in his essay "Photography." Here the source of "Cult Entertainment" reformulated.What is defined as a desire Krakauer bourgeois culture to the organic nature, is now defined as historicism, as the desire to put in a piece of thread, a continuum, and thus give it a meaning, value. The photo in this perspective acts as anti-historical, anti-cultural phenomenon.Its main feature is proclaimed ability to pull the image from the time stream, and thereby deprive of its value. Photo destroys both cultural tradition and its unique combination - memory. The man in the picture - no more people.He is taken out of the time that gave it meaning, photo gives an abstraction of man, "destroys the personality, portraying her." German researcher Heide Shlyupmann summarizes the photographic effect in understanding Krakauer:"Do not reproduce or internal communications or external time flow of stories, photography captures only what history constantly avoids: nature trails in it. Objectivity photography is nature in a positive sense, that is, immediately physis, but rather the nature of a denial of history .When the photo records the story, it also destroys any historical context "photographic phenomenon can otherwise understand what ran102 103 above Krakauer attribute the mass entertainment - superficiality, chaos.These properties are now as a result of the destruction of history, as a result of the submission of this is giving it a sense of temporal context.