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Fairy tales of the Viennese wood
LOOK ONLINE Spiritual Theater feature is that the viewer is looking at the other side and through it on himself. If all the action and no one to watch - no theater.Polars happenings in his relationship with the audience, in my opinion, is a musical stream-mass form in which he captured the scene of stage and screen. If the happenings actors, arousing the audience, press close to the wall, giving the audience and the audience and the stage, the musical repeatI mean massive musical stream, not rare wonderful exceptions) all the luxury watch the film Roksolana: Beloved wife Khalifa in excellent quality online and Staged funds aim to ensure that does not give the viewer a breath to warn in advance and beat his reaction. Musical thronging audience, and bore down on him, making a Gawker to showcase luxury store. All for you! All right in the hall.All-fitting, bright, quick deafening! Shiny! All in wrappers, n on each wrapper quality mark, often fake. Not yet unsaid thought - has entered the music, alone explains the mood. Easy to tune, easy rhymes songs. Yet to finish singing and dancing is - docile, brutish and chorus neat rows maketh something terribly beautiful.Already monologue temperamental against chegoto protester against what - it is unclear on is not important. Zong, dance, two jokes, chorus, microphone, jumping, acrobatics, colorful costumes - rushing to the scene, "and the room, and a lobby of heroes from different eras.General cries and general sports movement of artists, completely unjustified theoretical caricatures of Brecht and Meyerhold. And no slits or lumen in this monolith. The rhythm, the rhythm. Theatre without pause, without the theater of silence.Theater - selfish, throws the audience all at once, which can, and sometimes what you do not know how, Mr. unwilling to hear his response Mr. silence attention. Only applause. And the audience: not given simply - the orchestra plays rhythm, and make the audience chant. Even then they orchestrate.Efros, in his book "The Rehearsal - my love" wonderful writes about the need to sequence in the theater scene, " condensed" and "Scenes from thin air," that no purely atmospheric pieces of action are becoming unreliable, cardboard. He is a great master of direction, openly talks about.as he came out of the desire to "drive the story," not to give the viewer bored concentrated poetry, where there is always a moment of silence, the credibility of the viewer, and there is a reverse trust.Grotowski, one of the most daring experimenters in the field of theater, writes in his article "Ritual Theater," which, having tried many ways to make the viewer complicit in full action, it did not cause drama, and genuine emotions - fear, loathing, grief, and so on ., Came to the conclusion that it's embarrassing, binds the viewer or unpleasant untie him, but the effect is not empathy.
LOOK ONLINE Grotowski goes to the study of stage action and returns stage actors and the audience hall - a place for watching.Peter Brook, a great thinker and practitioner of the theater itself against the academic, from the search for the theater without the national language of the performances in the open air, from the fusion with nature, with the net returns to teatrkorobku journalism, and it turns out, this is where his trial gain complete.Many theater workers give up their search for the fantasy of the theater building.