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Fairy tales of the Viennese wood
film Roxolana: Beloved wife Khalifa But if you touch his will and gave him a spiritual task to call in his conscious or superconscious emotion, make him watch online and relive the role, you will meet resistance:to the extent the actor will not practicing, lazy, moody. That internal technique that I preach and which is necessary to create the right feeling creative, based in its main parts just to volitional processes. That's why so many artists are deaf to my call. "For years all the rehearsals, in all rooms, hallways, restrooms, at a meeting in the street I was preaching his new credo and had no success. I respectfully listened, pointedly silent, waste away and whispered to each other: "Why did he become worse play? No theory was much better!What a difference when he played, as before, just no nonsense! "And they were right. I temporarily traded their usual work of the actor on the survey because the experimenter and, of course, went back as a performer and interpreter of roles and plays. It was noted by all not only my friends, but also the audience.Such a result I was very confused, and I found it hard not to change the intended path searches. But I really, with large variations even stayed and continued to produce their next experiments, despite the fact that in most cases they were wrong, despite the fact that for the sake of them went away from me, my acting and directing authority.But I, in the heat of his passion, he could not and would not work otherwise than that required regular and my passion for discovery. Stubbornness increasingly made me unpopular. Worked with me reluctantly dragged to another. Between me and the company has grown wall.For years I was in a cold relationship with the artists, locked in his dressing room, reproached them in inertia, routine, ingratitude, infidelity and betrayal, and with even greater ferocity continued his quest.Self-esteem, which is so easily beset actors, let my soul its noxious poison, from which the most basic facts were drawn in my eyes in exaggerated, wrong form and further aggravates my attitude to the troupe. Actors was difficult to work with me, and I with them.Failing to get the desired results from their sverstnikovartistov, I Sulerzhitsky appealed to young people, chosen from the so-called corporate employees, t. E. Of the extras in the theater, as well as students from his school. Young people believe a word, without checking. Therefore, we have listened with enthusiasm, and it gave us courage.Began lessons in "the system" is, of course, gratuitous; but also the case for various reasons did not develop; besides the youth was too overworked to the theater. After the second failure, we decided to move to Sulerzhitsky our experiences in one of the then existing private schools, and there put class on my instructions.
film Roxolana:Beloved wife Khalifa After a few years to get the result that many of the students Sulerzhitsky were taken to the theater, among them turned out to be the late Yevgeny Vakhtangov, which was destined to play a prominent role in the history of our theater.