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Fairy tales of the Viennese wood
LOOK ONLINE In the previous example, a core actor remained at the forefront of two general plans.Changing the shooting distance in the second take, compared to the first is hardly noticeable, if ^ is a core act with one side of the frame in two doubles. Aktersterzhen can turn his head, to facilitate the shifting of interest from actor to actor in C, which stands opposite.In our next example, let us consider two seemingly opposing cameras around pivotal actor in the scene. .15 In this example, the actor, the link between plans, the transition from the first to the back. Each is mounted parallel to the general plan, the actor maintains the same area in the frame. .16 External kontrplany around secondary actor, serving as a link for shooting groups of three. .17 Special way to shoot the actors in a straight line, when the actor linking footage moves from one side of the frame to another. Each is mounted parallel to the overall plan.85 84 If the three actors are placed linearly, two opposite third, pivotal actor is present in both takes, but moves from one side of the frame to the other as shown in the figure in the cases considered pivotal actor dominates - it belongs to a very important place in the scene - but possible and the situation where it is passive.necessary in order to obtain an approximate plan of the actor, who selected the central figure of the whole scene. Close-up of a dominant actor in placed between the plans, removed from positions 1 and 3, the change of location to hide the screen actors A and C, if they withdraw from other positions. .18 In this example, the actor, linking frames, plays a passive role. Its silhouette glides from one side of the frame to another, the general plans for alternate. At .18 A dominant actors and actors at the center of stares for a discussion between two other actors.At the same time, the actor is in the rod to place cameras and therefore acted in two takes, respectively, the left and right sides of the frame. His passivity can be accentuated if to shoot him in profile, with downcast eyes, deliberately not wanting to show interest in one of the main actors.Its role is even more obscure, if it takes less than a third of the screen. Placement point the camera can be used as a core. This point may be ahead, but at the same visual axis, as compared to one of the two dominant points of camera placement on the basis of external opposition. It is 86.19 more approximate plan is used as the dominant actor plansvyazka to connect two external kontrplanov groups of three. How to focus attention in the center of interest If the conversation is developing three actors, so that should be allocated two and reduce the importance of the third, we can provide it in two ways:The focus is only on one line of interest, interest in a scene line is curved.
FILM CONSANGUINITY In the first approach the line of interest is the same for the three actors. Isolation may be partial, in the first general there are three actors, while in the second there are only two;complete if the group in relation to the three, the three changes to the two-for-two, that is, showing only two actors.