Where just download the film Consanguinity
and laughed, laughed a lot and laughed frantically, suddenly - a smile, friendly posheptyvanie ... Distressing signal.You can not try before the next piece - you still will not be able to stir. And you can not hope to questions - the joy of the lecturer, this opportunity improvisation fused with erudition. Questions will not be. Will be dry, very short round of applause.Spectators of the newly built Palace of Congresses, the audience were the most exacting level. But they looked at the picture for the first time, and she was not one of those that are opened at once.And I felt like getting ahead of others in their assimilation reaction that caught the download the film Consanguinity
and thread where the neighbor on the right and left neighbors still know where to look, not knowing which of the flickering frames in any of its parts laid important and what should be left in side as the obliqueness.And, to his surprise, I began to laugh, as the film's comic turn around, happy his side. And around download the film Consanguinity
and reigned focused, watchful silence.By thinking of Fellini, pieces download the film Consanguinity
and unlived, displaced inward life given the right to exist along with the act, and in chemto were even more interesting, more fun for the artist, rather than doing the more routine acts committed by inertia. We're not used to it.This carnivalesque inversion of "low", "small", "hopelessly personal" adjustment of the reservoir with a high, solemn, formal quality of life, an attempt to link these areas download the film Consanguinity
and threatened circuit, in our perception, the explosion. Explosion happened. Sounded a little circus orchestra, and the boy Guido, a future director, protagonist of the picture, went to the arena and has remained in the spotlight ... Merry carnival, a public holiday all his friends and acquaintances, which - with the tragic impossibility of performance dreams - dreams of a poor Guido Anselmi, broke in a quiet, sad, naive note.We have been applauded. Thankfully, but somehow lost. With a sense of celebration, but do not understand - whether it is appropriate? The next day was a press conference, and Fellini on it was very different. He already knew that the picture is a success, that the arrival of his very happy that the rumors about the intrigues - nonsense.He looked cheerful, sleep well and answered questions easily, polite, friendly. And there was one point on which he beat very often. - My hero - not an angel, - he said.
- And the only justification that I made it the main character, is the fact that I know him very well.Never, in any of my work, I did not try to carry a story about yourself. "8 1/2" - the first and hopefully last time. I looked into his soul with the closer, which he could bear. Perhaps I will become nasty, and I'll do other topics others. The questions were different - softer and harder.He answered with patience and accommodating. At full of question, as it seemed the best answer Juliet. He asked her to look microphone. Eye, paused and took it, and its very first words were biting and funny joke chutchut Zatsepa husband.Ozersky photographer managed to pull the trigger of his cell just at that moment, and later his solo shows graced this wonderful picture - "Federico Fellini and Giulietta Masina to journalists at the Moscow Film Festival in 1963."The day immediately after the interview Fellini, I went to his room with an expression of grim determination.