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At these private view all happy every evening looking extremely successful scenes and episodes;Then, when connected to a piece by piece fifty wonderful passages - Oh, what a surprise: the film does not take place, nothing inside, and all look at each other with astonished look. Technique causes people complexes rather turn the radio to find a station broadcasting - and everyone thinks he Toscanini. Beautifully shot footage!They've put out. The film must be well described. It's the least of which should require the filmmaker, but not a single frame has to be beautiful. The only thing that matters - it is the rhythm, and rhythm is not to learn, he has to sit inside. I believe in the importance of Pier Paolo Pasolini, the values вЂ‹вЂ‹of individual scenes;separation occurs, the scene ends always at some point. However, as a rule, directors like to extend this time. As for me, I believe that by doing so, make a mistake in terms of dramatic effect.Neorealism is to lovingly follow the human being in all his discoveries, all his impressions. It's something small being oppressed, something hanging over him, and suddenly, unexpectedly, it is something inevitably inflicts blow - at the very moment when the creature is enjoying freedom, absolutely no waiting.For me it is important that state expectations - that it should be developed in the film, and the ending should not be emphasized. Take, for example, a scene tuna in "Stromboli." Is waiting for the fishermen in the sun, then they say, "Bring, bring" - because they abandoned the network;water suddenly starts to move, and death overtakes tuna - is the final moment of the scene. Similarly, the death of the boy in the "Europe, 51." After a suicide attempt he comes to, all is calm, and suddenly, when it was impossible to expect the boy dies.Of course, this expectation is shown in my films through movement, because my job is only to follow the characters. Usually in the traditional cinema scene is download the film Reeker
and constructed as follows:general plan defines the scene, we see a man approached him, should the average plan, then "American" plan, close up, then download the film Reeker
and begin to tell the story of the character. I'm doing exactly the opposite way: the person is moving, we watch his movements, and we offer a place where it is located.I always start with a close-up, and then moving the camera crew, accompanying the actor, and shows the scene. Thus, the problem is to no longer leave the actor, and it performs complex movement. It is often believed that neo-realism is that the role of the unemployed forced to perform download the film Reeker
and unemployed.I choose actors solely download the film Reeker
and based on their physical ability. Look online
. You can select any so- called "half-length". though man in the street. I prefer non-professional performers, because they come with no preconceived ideas.