film King Boxing
Shchukin episodes we shot mostly in the order of their installation sequence, donating time to a permutation of the world, but for an actor to create a sense of continuity of behavior in this episode.Thus the lack of rehearsal time, we partially offset the specific, regular sequence in the shooting and, moreover, as far as they could, took advantage of a short piece of work.The principle of a short piece of trim in place we spent so consistent, that did not work exactly, finally the text up to the shooting. We have only done the whole pre-draft work, that is marked out staging, movement, thought through incentives and behavior of their outward expression was analyzed dialogue and practiced it in the rough;finishing of the piece was left up to the shooting, the actor to take the most fresh and direct execution. This does not mean that I am trying to deny the rehearsal period. Rehearsal period in the film, of course, highly desirable and useful, but it must be different from the rehearsal period in the theater.From my point of view, the rehearsals do not need to squeeze until the end of the execution of the role of the actor, especially since at the rehearsal to the movies with a solid performance episode can never achieve complete accuracy of the game. Installation, kadrovka, split scenes work on separate pieces inevitably make their own adjustments later.So do not be in rehearsals "zamuchivat" scene, flirt her to bring the actor to the already familiar, difficult to overcome skill games in the piece. It is necessary to find a general solution of the episode, which would open by the end of the actor all its main provisions, and specific finishing conduct within one frame immediately before shooting.It seems to me that with proper rehearsal single frame during shooting itself can be obtained from the actor higher performance, than that which he can give a large piece:focused on the implementation of one element, it will show all its power on a small segment of the role, provided always that the understanding of the role of its general agreement with the director, elaboration of his behavior, gait, gestures, mannerisms and express themselves fully understood him and the director and worked out with sufficient care.I have already said that the movie must grab the actor most recent and immediate implementation; the director is obliged to feel the border, when the actor, possessing a piece and still not "torturing" it for yourself, it is able to perform with the greatest force. The mistake of the director, the most common, is "zamuchivanie" actor:director achieves this ideal performance piece in rehearsal, making many amendments and grinding, that in the end is ground to the end of, say, a movement of the hand, he notes that the actor missed at this time, for example, the liveliness of intonation. Film King Boxing
.With the greatest force and it is clearly evident on pieces of comedy character. I must say that comedy tone - something quite elusive and undefined. It would seem quite the same twice uttered a replica - once laugh, other times not laugh.