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Fairy tales of the Viennese wood
movie Wrath of Achilles The most significant changes in the methods of working with television cameras appeared when using zoom lenses for the correction of movement and coordination of the composition of the frame depending on the action.As previously working with monochrome camera movement actors could be adjusted in the course of rehearsals for matching fixed angle lens, but now flexibility zoom lenses allow you to adjust the composition of simple scaling.Gradually angle of lens and camera location ceased to calculate in advance, and to build the composition of the frame have come to rely on the flexibility of a zoom lens having a variable angle of view. Sometimes it was at the expense of compatibility frames. Can be mounted only those frames where there was no dramatic change in perspective.Preconceptions about the use of the zoom, even in dramatic productions were dispelled, and the point was put in television production, where the scaling dominated. Ward.The composition frame in the film and television Compositional differences between zoom and tracking One of the characteristics of the movement of the camera, as opposed to scaling, it is the perception of the average person who sees the change in the ratio of the size of the background and foreground objects as physically changes the angle of viewthe camera itself. Tracking changes the aspect ratio of the object background and foreground as they pass in front of the lens. In this case one can say that the tracking is more realistic than scaling. Tracking enhances the involvement of the viewer, as it allows him to visually move in two-dimensional space of the screen.At normal depth perception indicators can be assessed or verified by turning the head or body in search of a new angle within the frame. Viewing still images on a two-dimensional screen does not give such a visual engagement. If we denote the depth required, it must be clear and present in the composition of the frame.Tracking the frame provides a change of angle and gives the viewer more opportunities to feel the depth of the image space compared with scaling or with a still image. Zooming does not change the ratio of the size of objects.It just gives a greater increase of the frame, or a more general plan for the same objects with the same aspect ratio. The argument in favor of scaling is considered and that the audience will be completely girlfriend perceive two-dimensional image of the object on the screen compared to the same object in vivo.But if so much has changed, when a television broadcast or film screenings, various size plans, perspective, two dimensions, a small image, and so on. E., Why should move away from scaling, where you can not only play a small physical aspect of human perception?
movie Wrath of Achilles A movie or TV show is the average event, which often contains attempts of its perception by the audience.