Isabel was able to work, had the amazing ability to concentrate.Sometimes she even tries too hard, to bring themselves to a hysterical state, and the stock of tears dried up before I had time to remove the corresponding scene. For me, 'The Tenant' was another proof of how difficult to be both a director and performer.When the shooting starts, it is impossible to control the movement of the camera, make sure that the play of the other actors, and must be devoted to the role. Partly by word of mouth, partly because of the fact that it was the first film that I shot in France, 'The Tenant' before completing attracted a lot of attention and received an invitation to Cannes.This put in front of us almost superhuman challenge to meet the target date, but we were eager to make it. All went well until the Minister of Culture had not asked him to arrange for an informal viewing. Although I did not try to show him the unfinished version, I could not refuse.I was very annoyed when he came in, accompanied by a nice young man. As a result, there was an article in the French weekly newspaper "Express", which denounced the film was worth. Young protege minister, a journalist by profession, took the opportunity to score points over the competition.Even before the show in Cannes for the film got the biased attitude. I enjoyed international renown, but France still remains an almost mythical figure. Now, when I put the movie, I was a victim I have observed the phenomenon. Critics love to "discover" talents.But Fuss them to heaven, the same criticism with equal pleasure toppled idols from their pedestals, they themselves erected. All that I have experienced in my own skin when "Lodgers" showed at Cannes in May 1976. After the film's release was followed by some harsh reviews. Box office success was not.One critic wrote that I play the same role as Catherine Deneuve in "disgust", but "the viewer still lacks Catherine Deneuve." Another claimed that I applied for French citizenship in order to represent in Cannes "of tenants." It is generally absurd. First, the documents were issued only two months later.Second, I could put the French film and being Chinese. In France, he was treated differently. The viewer is not like that Adjani plays fury, did not like the mixture of French and American actors, and the story itself is not too much. The latter remains on my conscience.Looking back, I realize that insanity Trelkovskogo download the film Días contados
and revealed gradually enough that hallucinations occur too suddenly. Somewhere in the middle of the film is an unacceptable change in tone. Even sophisticated moviegoers do not like mixing genres.
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Tragedy must be tragic.Comedy, if it goes into the drama, almost always doomed to failure. Cold reception given "to tenants," stole my hunting immediately take on a new film. And in any case I had to deal with theatrical performance, which agreed in Spoleto in 1974. Bavarian Staatsoper invited me to put "Rigoletto" in Munich.While some purists and outraged that "Rigoletto" instructed to put kakomuto filmmaker, their attacks in the press did not stop fans of opera lining up for tickets.