And whatever the theater of the future in the sense of his repertoire; Do revive ancient tragedy, there will top neorealism Hamsun, Wedekind, Bryusov, Andreev, Blok - whatever the theater of the future, apart will be a question about the method of scenic art in pageants plays theater of the future.If we accept that the true method should be the one that can satisfy the requirements of architectonic pieces of different kinds, ranging from ancient to ibsenovskih - conventional method undoubtedly win naturalistic techniques. Conditional method considers the theater creator fourth - after author, actor and director; it - the viewer.Conditional theater creates a dramatization, where the audience with his imagination, creativity, we have data dorisovyvat scene hints. Conditional theater is that the audience "a single moment does not forget that before him the actors who play, and the actors that they face the audience, and under the feet of the stage, and on the sides - the scenery. As in the picture:looking at her, not for a moment forget that this -Colors, canvas, brush, and at the same time you get higher and enlightened sense of life. Even so often; the larger picture, the stronger the sense of life. " Max Reinhardt made a bold attempt to put Maeterlinck quite arbitrarily, to the end.It is possible that Reinhardt came to the reception, which he applied to the formulation meterlinkovskoy "Aglaveny" without even knowing about the interesting experiments made in this area in one of the English stage;possible that Reinhardt had not read the book curious about the new director of the English reformer technology scene - but when you look in the "chamber" performances "Aglavenu" involuntarily recalls Gordon Craig.And not because "Aglavena", perhaps accidentally, put pokregovski, "on the cloth" - recalls his rather because in conventional productions just terrible precisely those mistakes, which fell Reinhardt. The director does not own pattern.This means that he does not know how to create artistically valuable lines and angles of living figures in connection with the lines and angles of all the decorative design, does not know how to manage the movement of live figures in connection with the comprehension of the mysteries of immobility, does not know that the frequent change of groups, especially the "necessary "reigned when the principle of wealth" planning seats'hudozhestvennobestaktnoy now recognized, especially that part of the "transitions" actors created for the curious in the name of those groups, not in the name of the plastic tragic necessity of a psychological moment. Now to the location of people on stage can be applied or the method of simplification, or the method of "sculpture".Conventionally written decoration creates more conventional scene. Grouping actors should be a major concern for producers conditional scene. This, of course, the director must largely help the actors themselves, plastic tact that apply now greater and greater demands.
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and replace the conventional painted decorations simple monophonic "felts" monotonous and tulle . But scary when the stage breathes a familiar tune from the "modernist" magazines like «Die Kunst», «The Studio», «Ju-gend».Scary if art nouveau and modern style, which is now everywhere - on a cane, on the houses in the confectionery and posters - (pervaded the scene, though in a more noble form.