In newsreels Vertov discovered a "molecular baby", "molecular woman," the child's physical and woman, as well as the system, called the machinery or machinery. Important as it presented a variety of transitions from one system, to destroy, to another, to create, as shown in the communist spirit.However, between the two systems or two builds is always a variable interval. In Vertov the interval in the movement arises in perception, it creates the look of eyes.Just not nearly immobile human eye, and the eye cameras, that is, look inside matter, the perception of what it is in the matter as it unfolds from the point where the action begins, to the point where the opposition comes - as it fills the gap between action and resistance, running through the universe and its beating rhythmintervals. The relationship between matter and the inhuman and superhuman eye obrazuetsamu dialectic, for dialectic is also the identity of the community, and within a matter of communism in human society.As for installation, it continuously adapts the transformation movements in the material universe to the intervals in the movement of the eye cameras: here it is, the rhythm. It must be said that the installation already present throughout the two preceding points.He was involved before the shooting, the choice of material, that is, pieces of matter, sometimes quite distant from each other to be Seduction movie watch online
and reacted. He acted during shooting into the gaps of the work kameryglaza.There he was after the shooting, in the assembly hall where a footage and some footage commensurate with others, as well as the audience, assigning to life in the film to life as it is. These three levels, whose coexistence is clearly shown in the "Man with a Movie Camera", but they have inspired all previous work Vertov.For Soviet filmmakers dialectic it was not just a word. It determined once and practice and the theory of installation. But while three of his great colleagues and compatriots used the dialectic to convert organic composition obrazovdvizheny, Vertov perceived it as a means to break with it though.He accused his rivals that are lagging in tow Griffith, creating a movie in the American spirit and imbued with bourgeois idealism. In Vertov, should break with the dialectic is still too organic Nature and man, too easily falls into pathetic.Method of work Vertov was the fact that in the end the whole coincided with an infinite multitude of material, and the intervals merged with the view from the depths of matter, with the camera work. Film Seduction
. At the official critics of this director also did not meet understanding.But he brought the dispute to the extreme movies Soviet masters of the dialectic, which are very well caught Eisenstein when ceased to be content with controversy.A couple of "matter - eye" Vertov contrasts couples "Nature - man", "Nature - Fist" and "Nature - punch» | The prewar French school, we also see a gap with the principle of organic composition.