If the camera moves faster, the actors can be shown one after the other and quickly.But if the camera, maintaining a constant download the film Trainspotting
and speed, moving slower, the actors have to go one by one, first by reducing the speed of its movement to the 458 speed camera and then increasing the download the film Trainspotting
and speed at the exit of the frame: the actor comes out of the frame, another rises in its place.This cycle is the same number of people as they pass along the same line. Another option is to shoot to show one man out of the line of motion, camera, moving faster, so that it gradually overtook all the other actors.He can move the camera and the straight lines of the other actors are, or for that line. In the first case, it is in the foreground, in the second - in the background.Another situation - a chain of people moving in the opposite direction of the camera and the main actor in such a way that the latter remains in the center of the image, either in the foreground or in the background, while the chain is moving in the opposite direction. Such a construction is seen very rapidly on the screen.MAUV/U8 To this shooting was better, the camera, as in previous cases, is facing three-quarters to a chain of people and never be parallel to the actors. .33 If the camera is download the film Trainspotting
and turned to the group at an angle 3/4, then the action is removed is much better than when the camera moves parallel to the angle of 90 В°.459 SPEED TREVELLINGA download the film Trainspotting
and Speed вЂ‹вЂ‹cameras are almost always download the film Trainspotting
and dictated by the download the film Trainspotting
and speed of the object that it removes. If the camera is sent to a static actor or group, or download the film Trainspotting
and separated, the rate at which it does so, depends on the scene.Classical transition from plan a full frame to the approximate plan actor can be used to highlight the actor's face, or the movement of his body at the end trevellinga. Rapid movement in the beginning can be used to transfer information from the background of the approximate plan affect the reaction of the character.The slow movement of the camera emphasizes intimacy, in slow motion, the state of the actor. Slow and regular movement towards the speaker or the silent actor, allow the viewer to better understand his condition, or the meaning of his words. His problems become ours, sympathy or antipathy to him becomes clearer.Slow trevelling back can accentuate the feeling of loneliness, sadness, depression. It isolates the stationary actor from the audience. When using repetitive movements on various points or giving different plots, the rate should be consistent trevellinga.Even when using repetitive movements forward, towards the different subjects, the speed should be the same. When you turn the plan using camera movement back into the plan, which already has the camera moves forward, the speed should also be the same.
Different rate of movement from plane to plane very spoils impression.Object approaches the camera in motion of an object in motion in camera in the front, does not necessarily have to be given at the beginning of the approximate plan. The machine, which travels down the street, visible frames.