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Fairy tales of the Viennese wood
LOOK ONLINEIn place of the peasants and the unemployed regained operetta peyzane, carefree boys and girls "of the people." Orientation film openly disclose the names themselves - "Two penny Hope" series " Bread, Love and ..."Series" Poor, but beautiful. " Hungry and unemployed promised two pennies hopes comforted and not so much fantasy love as sex. In Italian, the screen appeared the first "highly gifted" stars and started "historic battle busts" between Gina Lollobrigida and Sophia Loren.Ribbon "pink", or, as it was also called "folklornoeroticheskogo neorealism" foretold an attack on the Italian audience bourgeois mass culture ... Neorealism, by their very revolutionary, innovative nature and always evoked yet still a matter of controversy, debate, debate.No consensus as to the circumstances that led to its decay, and relatively if not exact "date of death", then at least the approximate time when it ceased to exist.Stressing violent suffocation neorealism, of course we do not forget about the objective changes that have occurred in the political life of Italy and download the film Виталий Дёмочка and changed the overall atmosphere in the country - it is in this changed atmosphere, and made possible such persecution.The mood of disappointment, the ideological confusion that gripped Italy after the " unfulfilled revolution", the stabilization of capitalism with the help of conservative forces because of the ocean, the expulsion of the Communists from the government, the gradual disintegration of the unity of the anti-fascist democratic parties - all this, of course, did not open the longer term developmentneorealist cinema. But if you explain the reasons for the "decline" of neorealism only objective historical circumstances, as some authors, death neorealism looks fatal foregone conclusion and the whole struggle for its existence - in advance download the film Виталий Дёмочка and doomed to failure.We will not guess how old neorealism could live and work, but a certain amount of time before it was still - for direct, instant communication between superstructural phenomena of art and culture and historical events, as we know, no.And that neorealism creatively far not yet exhausted itself, indicates at least a long list of scripts that are left in a drawer directors and turned into films only after twenty years thanks to the efforts of the "political cinema" (Lattuady not have time to make a film, "Giacomo Matteotti "Lidzani -" Christ Stopped at Eboli ", notallowed to work De Santis, remained unfulfilled film "Slaughterhouse on Kefallinii," "Escape from Lipari," "Brothers Hearts" and other anti-fascist scenario). Unfortunately, along with the ideological and artistic neorealism its opponents buried alive in a hurry and some of his friends.This author has always been closer position than those who, paying tribute to neo-realism, in fact, was in a hurry to read the burial service, and those passionate advocates of this school, who, like Dzavattini, emphasized its viability, not fully disclosed opportunities, the potential effect of the charge, supported him search for new ways, new plot;was clear and passionate enthusiasm Yureneva, repeatedly claimed that neo-realism is alive in the 60's and even 70's.However, neo-realism as a ideynohudozhestvennoe direction with certain typological features as certain poetics, stylistics, film language has ceased to exist by the mid 50's, and to recognize that, in our view, it is important for the periodization of cinema in Italy.Desperate rearguard battle neorealism was download the film Виталий Дёмочка and established in 1956, the "roof" of De Sica and Dzavattini and brilliant epilogue, a kind of summing up and an attempt to chart the future course of development of progressive cinema of Italy - delivered in 1960, the film "Rocco and His Brothers" by Luchino Visconti, rezhisserakommunista , who sought to establish a linkbetween the new Italian cinema, world and classical Italian literature and only opened to Italians Marxist aesthetics Antonio Gramsci.
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