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Fairy tales of the Viennese wood

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Therefore, the more download the film Золотая Лихорадка: Берингово море and stylized theatrical insert the number, the easier it is used to emphasize the reality of other cinematic scenes.Excerpts from operas, appearing in many films, usually set deliberately mannered, in contrast to them, we are better download the film Золотая Лихорадка: Берингово море and perceived stream of random events swirling around this opera island.In the "avant-garde" film by Germaine Dulac "Smiling Madame Bede" double exposure taken singers in the roles of Faust and Mephistopheles is clearly download the film Золотая Лихорадка: Берингово море and intended as a mockery of the operatic splendor, so alien and weekdays streets of a small town, and people who do not know love, and impossible dreams - all that is both dull and ruining livesMadame Bede.Perhaps the best example of the opera, which was solved in a satirical manner, - is the consummate scene in the film, Rene Clair "Million", which at the theater stout singer and singer sing a love duet, and behind them, hidden from the eyes of the audience backdrop, two lovers so absorbed in his feeling that they probably do not understand whereare. They are strangers in this opera, and their credibility is enhanced by continuous life parallels that camera draws between them and the singers, with their elaborate actor's gestures. However, this is not all. Klehr can not transfer to a loving couple and their entourage magic commonly prescribed theater.When we look at the thick of singers from the point of view of spectators sitting in long rows stalls, we see them in the scenery, though lovely, unadorned but their voices and unable to awaken any illusions. It remains what it is - that is painted canvas.For once the focus is positioned on love, with the same decoration is wonderful transformation, but in close-ups, we see that it has download the film Золотая Лихорадка: Берингово море and changed nothing. A piece of plywood, the passing dummy flowering trees is transformed into a white cloud, fly-bitten paper scraps are fragrant rose petals.Claire simultaneously debunks the theatrical illusion, and uses it to express the beauty and radiance of pure love. 111 Despite its exceptional appeal for the film, the outside world as our immediate and continual environment - not the only area studied cinema since the first days of its existence.Filmmakers often create and entire movies and individual scenes intruding into other areas, in particular, such as history and fiction. In this regard, before us there are some interesting new aesthetic issues. Section 2 of the scope and elements of Chapter 5 History and fantasy obvious one;whenever the director is taken for setting a historical theme or dares to enter the sphere of science fiction, he runs the risk that he will have to give up the basic properties of cinema. Roughly speaking, he seems to lose interest in physical reality, and sent to conquer worlds, lying, on all the grounds outside.In the following pages will address the difficulties encountered in connection with the accession of the past or the "unreal" to the possessions of the screen, and the most revealing attempts to observe the laws of visual aesthetics of cinema in the treatment of similar themes.




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