Fairy tales of the Viennese wood
LOOK ONLINE We see how you leave and return to the position of two cameras, then back to the chair - the position of one camera.157 angle of vision WHEN DRIVING all the time to keep the position of the camera with one hand in relation to the line of motion - this is a very limiting factor. Often, you want to show the movement of the other side to show more dynamic moments, or from a different angle, where a winning look.You can do this by thrashing but neutral direction or where the actor himself explains the moment of change of motion. USE PEREBIVOK thrashing allow viewers to forget the last line shows the motion. Therefore, the new direction does not seem unnatural to us.Viewer who watches it, always waiting for a new plan. Attention is so intrigued that visual memory is weakened. He rarely remembers a odnogodvuh plans that preceded the plan on the screen at that moment.The attention of the different moments of the story and history, can not sufficiently focus on the movements in the episode to mark the change in the direction of motion, download the film Золотая Лихорадка: Берингово море and introduced by Break.The episode with the movement, where, for example, you want to cross the line of motion, in order to then have a full plan can be represented as follows. The car crosses the stage from right to left, diagonally, other machines are also standing right in front of people, the approximate plan street clocks showing the time;then - he is the plan of the scheme area; plan a high angle, which has left more than an approximate plan where the other cars are also left to right.