Fairy tales of the Viennese wood
look online here - the position of the plan, which can be abstractly defined as an intermediate between framing and mounting a plurality of the whole. The plan then gravitates to the pole framing, then to the pole mounting. Plan and there is a movement, taken in its twofold aspect:This movement is part of the set, stretching in space, but it's a whole change, are changed into the duration. And in this - not just abstract conditionality plan.For the plan acquires its specific conditionality of the extent to which it continually provides the transition from one dimension to another, interference or distribution of the two aspects of their continuous interconversion. Let us recall Bergson three levels: sets and parts thereof; whole, coincides with the opening or changes in duration;movement that occurs between the parts or sets, but also expresses and duration, ie the change in general. The plan is similar to the movement, which constantly provides interconversion, cycling. He divides the length according to the objects making up the set; It combines a plurality of objects and the same duration.He continually divides the length to "poddlitelnosti", which in themselves are heterogeneous, and integrates the latest in duration immanent universal whole. And if we assume that the separation and union implements consciousness, that of the plan will be to say that it works like consciousness.