Heap Тор 2: Царство тьмы 1


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Fairy tales of the Viennese wood


- The first variation (the first round of 1 - Frau with a child (free 2 - cyclist 3 Frau in the hallway of the bank. V2 - second variation:- Frau with a child, and 21 cyclists - in the hall of the bank. V3 - third variation: - Frau with a child, 22 cyclists - in the hall of the bank Given reference plastic image movie - watch and then. that every time the "race" Lola starts at twenty twelve, we can identify it with a moving minute hand.At the same time, which on the face of a unique fateful number 12, like balancing on the edge of the frozen-clockwise. They overlap in the sector dial is just the end of one round and the beginning of a new one. In zvukovay film imagery prevails music (by J. Klimek, R.which winds through- train from the prologue to the final. This brings the picture with a clip. Verbal component is a narrow one, and in accordance with the general variational stylistic films exposed to light in the transformation of reference points. Happy end third variation involves a minimum of two instructions:a) should not be wedged on one idea, for a way out of any situation is not unique, and b) can not be stolen, but you can win. download the film Тор 2: Царство тьмы and Indeed, winning Lola - an extraordinary event. The strength of her desire to see the cross than all the strict rules. Enter the casino in this incredible luxury establishments careless garb.Buy a single chip on the last 99 marks. With the move to put on a 20 "black" and win at roulette. And again, all augmented chips piled on 20 "black" ... and win the necessary amount, finally. And that is important - timely escape from the casino with a packet full of dollar bills.However, at the crossroads of Lola yet too late, even though the clock pointed to twelve. Manny has already download the film Тор 2: Царство тьмы and managed to repay. "What's in the bag?" - He download the film Тор 2: Царство тьмы and asked indifferently at Lola. The answer behind the scenes, rather, in the space. At the time director invites the viewer to fill in the "net time" postscript.Studying the context of art is always outside the scope of Art. "Under the context in a broad sense refers to the totality of the phenomena connected with the text of a work of art, but at the same time he vnepolozhennyh" with. . Traditionally distinguished historical, artistic and biographical context.Clarifies historical socio-political and ideological parameters of a particular era with its characteristic view of the world and the general state of culture. Artistic context represents the main directions of development of art, the dominant flow, the specific language of images.Biographical context indicates a particular life and everyday events, during which the author created his work.


Recently, however, formed the view that the "contextual analysis is, at best, a special auxiliary devices, not replacing the immanent analysis;the need of a context for the correct perception of the product indicates the organization of the text, "We interpret the contextual analysis method otherwise, assuming first of all, study the film in the light of a theory: social, psychoanalytic, semiotic, gender, postmodern, etc.- Which became the base of the philosophical foundations for the art of XX century.