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Fairy tales of the Viennese wood

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The only thing that matters - it is the rhythm, and rhythm is not to learn, he has to sit inside. I believe in the importance of Pier Paolo Pasolini, the values ​​of individual scenes;separation occurs, the scene ends always at some point. However, as a rule, directors like to extend this time. As for me, I believe that by doing so, make a mistake in terms of dramatic effect.Neorealism is to lovingly follow the human being in all his discoveries, all his impressions. It's something small being oppressed, something hanging over him, and suddenly, unexpectedly, it is something inevitably inflicts blow - at the very moment when the creature is enjoying freedom, absolutely no waiting.For me it is important that state expectations - that it should be developed in the film, and the ending should not be download the film ФЕНТЕЗИ БОЕВИК 2013 and emphasized. Take, for example, a scene tuna in "Stromboli." Is waiting for the fishermen in the sun, then they say, "Bring, bring" - because they abandoned the network;water suddenly starts to move, and death overtakes tuna - is the final moment of the scene. Similarly, the death of the boy in the "Europe, 51." After a suicide attempt he comes to, all is calm, and suddenly, when it was impossible to expect the boy dies.Of course, this expectation is shown in my films through movement, because my job is only to follow the characters. Usually in the traditional cinema scene is constructed as follows:general plan defines the scene, we see a man download the film ФЕНТЕЗИ БОЕВИК 2013 and approached him, should the average plan, then "American" plan, close up, then begin to tell the story of the character. I'm doing exactly the opposite way: the person is moving, we watch his movements, and we offer a place where it is located.I always start with a close-up, and then moving the camera crew, accompanying the actor, and shows the scene. Thus, the problem is to no longer leave the actor, and it performs complex movement. It is often download the film ФЕНТЕЗИ БОЕВИК 2013 and believed that neo-realism is that the role of the download the film ФЕНТЕЗИ БОЕВИК 2013 and unemployed forced to perform unemployed.I choose actors solely download the film ФЕНТЕЗИ БОЕВИК 2013 and based on their physical ability. You can select any so-download the film ФЕНТЕЗИ БОЕВИК 2013 and called "half-length". though man in the street. I prefer non-professional performers, because they come with no preconceived ideas.

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I look at the man in his daily life, memorize his face and movements.When he faces the lens, it is completely confused and trying to "play" behold etogoto and need to avoid at all costs. Each person is always the same, inherent gestures, his work on their own muscles;to set a camera he was paralyzed, he forgets who he is - unless he knows it - and thinks he has exceptional creature again to insert it into the movie. My job is to once download the film ФЕНТЕЗИ БОЕВИК 2013 and again return to the non-professional performer of his true nature, recreate it, to return him his familiar gestures.Bohemian translation notes about "Nights" I'll always remember that morning when I met Fellini - the "fabulous" morning, as he himself said, in accordance with its usual manner of speaking.We went to his car - a cumbersome, but with a soft, smooth ride, crazy, but very accurate, with the Piazza del Popolo and, passing street after street, found themselves out of town.




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