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Fairy tales of the Viennese wood


Now it's time to move on to another aspect of the movement, to its absolute maximum. These two aspects are not contradictory:they are inextricably download the film ФЕНТЕЗИ БОЕВИК 2013 and linked, have each other in mind from the beginning of each other suggest. Already present in Descartes pronounced relative quantification of movement in variable sets, but also the absolute amount of motion in the universal whole.This ratio rises again in the film, as one of the most profound conditions of his existence: on the one hand, the plan turned to crop the sets and introduces a maximum relative motion between elements on the other hand, it is oriented changeable entity, changes in which are expressed in absolute maximum movement.The differences here are not download the film ФЕНТЕЗИ БОЕВИК 2013 and reduced ktomu that in one case, each image is taken posebe himself, and others take the relationship between the images. The very movement of the camera introduces multiple images in a single and rearrangements, as well as ensuring that the image can express odinedinstvenny whole.This is particularly felt in Abel Gance, who rightly claims credit release the camera when shooting "Napoleon" is not only lying on the ground rails, and even the relationship with the person carrying it:the camera can be set up on a horse, throw like a weapon, rolling like a ball thrown into the sea along a spiral Yet earlier comment that was borrowed by us in Birch, remains in force:camera movement, most directors, of which we are "the subject of this chapter is assigned to a remarkable moment, then as usual," clean ", the movement is associated with a sequence of still more plans. turns out that the assembly has to do with the two sides of the plan:first, with the side trimmed sets, is not content odnimedinstvennym way, but depicting the relative motion in the sequence in which changes its unit; second, with a side of tse1 flurch Noel, В«Marcel Z / erMe / / Seghers, p. Wedthe comments about light Amangualya RenГ© Clair and especially in Vigo, and an article about Mireille Latil Gremiyone. 'Gance Abel book.: Lhermini В«r Pierre,В« L'art du cinema В». Seghers, p.16,394 Gilles Deleuze KinoObrazdvizhenie 95 logo download the film ФЕНТЕЗИ БОЕВИК 2013 and related to the film, not limited sequence of images, but is expressed in absolute motion, the nature of which is now to be set. Kant wrote that while the unit is homogeneous, we can easily reach to infinity - though abstract.When the unit is variable, imagination, on the contrary, easily runs into the limit: the end of a short order, he does not manage to cover the totality of consistently seizes them values.Nevertheless thought or soul in front of them nominated by the requirements must understand a lot of movement in nature or in the universe as a whole.


That is what Kant called the supreme manifestation of mathematics imagination devotes sebyaskhvatyvaniyu relative movements in which it is rapidly losing strength, converting units of measurement;the idea is to get to the point that surpasses all imagination, that is, a set of movements as a whole, to the absolute maximum traffic to an absolute movement, which itself merged with disparate or too much, a giant, unlimited - with vault or boundless sea is second dimension of time:longer period of the alternating current, and, basically, open a whole immensity of the future and the past.