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Fairy tales of the Viennese wood

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The influence of Mallarme and Dellyuk still totally unexplored, is very significant.The idea of ​​a mysterious sense, show through the actor's body materialized, with particular completeness embodied in a typical Dellyuk apology masks. Mask is assigned a special cupola in "photogenic", but the meaning of the context of the book to access it is not clear. First relatively complete coverage of this topic is found in the article "Faces behind the masks."Here Dellyuk argues that cinema requires actors to hide their faces behind masks. This statement would seem to come in glaring contradiction to the cult of naturalness.However, we are, in essence, is a violent simplification of such a complex text, which is the physiognomic text, withdrawing from the face of the complex contradictions of facial expression, in order to achieve all of the same truth of life, which is in the simplicity. In 1923, returning to the same theme, Dellyuk writes:"Peregipsovannaya mask has its advantages. It isolates an expression and brings a pathetic truth to the" more truthful than the truth, "without which there can be art." Masks are a kind of natural sense amplifier. "They give the character only to those who have it.Depending on the type chosen, they either emphasize or set off this character. "In" photogenic "Dellyuk even equates the presence nature beauty:" To destroy the character - the same thing that destroy beauty. And what will be a film without beauty? It is necessary, however, to look for the character's face. And we need to stress!That's why the best performers in the movie with all the power asserted its character chemto like masks. Make a mask from the face - it is now the surest way to draw talent from all of that expression, to which it is capable. "Mask transforms man into an expressive subject.On the one hand, it reveals character, on the other hand 54 55, gives it a mystery. Leveraging the meaning, it blurs it. Finally, the mask has one important advantage over the person. It creates special conditions for the play of light on the face, photogenic looks to connect with the inner vision of cinema.It is the perfect photogenic matter. Reification of man is connected with Dellyuk with another significant problem. This is the problem of integration of various items into a single texture of the photographic image. When Dellyuk writes about the need for directors to "fotogenicheskoy matter":"Persons, fabrics, furniture, decorations and landscapes", he calls together all of these objects as vehicles photogenic pure, homogeneous material subjected to the same type of film processing light. This adjustment may partly based on invoice proximity of all these objects." Plastered" on its face like plaster wall texture, and both have approximately equal coefficients of reflection and absorption of light.

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Thus, the screen completely diverse objects download the film шесть дней семь ночей and begin to behave similarly.Dellyuk strongly emphasizes the need to integrate human still life, to overcome the heterogeneity of the subject on the screen in the world.




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