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Fairy tales of the Viennese wood

FILM FGHJ

His interest in films, as evidenced by his biographers, and as he himself stresses in his articles, resulted from not aesthetic, and social views.In other words, Grierson considers cinema as the pulpit and the podium. He comes to the question of using it from the point of propaganda: "I do it without any shame, because it's time to clarify, to deal with outdated theories about the meaning of the movie.Art is one thing, and the wise men were right, if you seek it where there 174,175 marching greater freedom for artistic creativity. Reproduction - is another. Education - in the sense in which it is interested in a teacher - the third. Propaganda is also a special area ...It is time to consider the film as a tool that, just like writing, can take different forms and have different functions. It is logical that a professional with a keen promoter of interest the movie, because it gives him into the hands of a reliable means of influence on the public.Vivid and direct description, clear analysis and memorable conclusion - that of the capacity of cinema, rhythm and visual images provides direct persuasion. But most important consideration that can be repeated every evening before any nonsense eyes of millions of viewers.This miraculous circumstance opens up new perspectives and gives new hope for the future ... "It's as clear declaration of its creed is the winter 1933/34 year. It sounds like the words of a Marxist and follows only a year after the publication of the manifesto drawn up by Grierson's "Basic Principles of Documentary Film."Look for the beginning, based on what elements under Grierson, generally cinematic theory. Clearly, he argues that the camera is capable of much more than a play staged in front of an action.If the right to impose his demands, camera is not only an instrument of play, but also a means of artistic creation. It's light, it can roam around the world as he pleases;being bounded, 'no one's screen, it is no longer a proscenium, on which the theatrical performance, and can be a window into the surrounding reality. Close-up of a movie camera provides an insight into the depths of the phenomena, the use of a lens makes it possible to grasp the details at a distance.Thus, we gain the ability to capture microscopic details on the film elements of reality. Through different camera angles movie is enriched by new point See: В«Sight and SoundВ», Winter 1933/34 Рі.Kami of view, which, if properly used, a dramatic increase that is artistic, the possibility of describing: Pick up a movie camera, and you get a chance, drop it down, and you'll get another opportunity.These, according to Grierson, elementary art features that indicate which way is to go silent movie.

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Grierson when considering the opportunities of using installation, we can see that new prospects:ability to fuse into one part, to sever part of the street, the factory, the city, to work on the image in such a way as to complement it with the spirit, atmosphere, action, add to the description of poetry, through some combination of shots to the head sow viewer certain ideas.In other words, we see that by using some combination of parts, you can achieve dramatic special effects.




Яндекс.Метрика