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Fairy tales of the Viennese wood

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"No concessions are beautiful!"- Became the slogan of the movie, and as a result of this" overlap ", although it is understandable, neorealist films drew their country is very unusual.First foreign audiences, and the Italians, they saw on the screen the true face of Italy, destroyed, devastated by war, ordinary, everyday life of working-class suburbs, poor villages, towns homeless. Almost all of the neorealist black-belt is not accidental.In short, the desire to achieve maximum vitality, honesty, naturalness most simple, download the film FKK and limited means been the hallmark of neo-realist tapes, gave them a documentary authenticity and at the same immediacy and freshness. And one more feature:almost every movie - the participation of children, the most innocent victims of cruelty and injustice of a capital company and at the same time the carrier of hope for a better future.Inattentive viewer might seem - and, download the film FKK and indeed, such a view was common, and sometimes we have - that the neo-realist films entirely sad, bleak, tell only about the hardships and privations of the postwar years.Truthfully revealing reality the late 40's - early 50's, neo-realists, naturally, did not want her to get by to brighten or soften. download the film FKK and Instead, they put in each tape critical social charge, exposing sores bourgeois Italy. However, they sought to warm their works good and noble feelings, folk humor.Their general attitude was always life-affirming and humane. You can not blame neorealist and monotonous genre - along with sotsialnobytovoy drama we find love and melodrama, and a detective, and even comedy, but a comedy to speak the language of the problems of those years have been particularly difficult.(In fact, research in the field of comedy neorealists download the film FKK and started in many ways: there are sotsialnobytovaya comedy "Cops and Robbers," directed by Steno and Monicelli, with great Toto, and the lyric "village" comedy "Days of Love" De Santis, Marina Vlady and Marcello Mastroianni;and fantastic ostrosatirichekie "fairy tale" De Sica and Dzavattini "Miracle in Milan" and "The Last Judgment.") By their very poetic - dreams of the present, and only now, almost programmatic failure "to look back to the past" - among the neo-realist tapes, especially the early years, we almost do not see the historical, but there is not no exceptions - even recall Luchino Visconti's film about the "feeling" that download the film FKK and caused so much controversy.Neorealism shook the foundation of all buildings of Italian bourgeois cinema, almost ten years was the dominant trend in the Italian cinema: after the neo-realist tapes seemed impossible back to banality, the banality of traditional kinozrelischa.However, audience success neorealist films, especially in the beginning, was a much more high abroad - in the United States, France, the Soviet Union, in all corners of the world - than in Italy.

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From the beginning, neorealism ran into organized opposition of three forces:Hollywood, filling Italian display their products, producers who showed myopia and feared giving money to stage neorealist films, even though they have made great collections abroad, the government and the Catholic censorship Vatican reactionary circles, immediately recognized in neorealism its ideological enemy.Shake machine bourgeois cinema was not enough - it had to break down, to destroy, and this needed the social and political changes far more radical than those that took place in Italy.




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