Many years ago I went to Rome to study with the great Italian operator Carlo Di Palma. I needed help in the use of color. And Carl taught me the main lesson.When we picked up nature in Rome, he said that the secret lies in choosing a suitable location and mixing with scenery from nature to a minimum. Choosing between acceptable objects, always worth looking at is who has the best natural light. If not, it makes sense to paint the object, but should be ready to look for an option.Carlo admitted that is not always possible to find a suitable nature. That season is not appropriate, permission to film can not be obtained. Embarrassed, he admitted that he once even embellish the grass, seeking more vibrant colors in the film by Antonioni. But, he said, it was an exception. As a result of careful selection of nature determines the colors film."The Verdict," a film about a man who dominates over his past. Ed Piso was a painter painting. I told him that we need only fall colors that embody the sunset of life. Thus automatically download the film Жизнь во имя любви 2 / Aashiqui 2
and excluded blue, pink, light green and limonnozhelty.We chose shades of brown, terracotta, dark yellow, tusklooranzhevyh and cherry tones. Pavilions were painted in those colors. If we jammed on full of nature, and the color does not fit, we sought permission to repaint everything. In the movie "The next morning," we sought to bright colors.download the film Жизнь во имя любви 2 / Aashiqui 2
and Ostracized not subjected to the same color, but in every scene dominated his. Jane Fonda room was decorated in pink. In the chapter on camera work, I mentioned about using filters to give the intensity of heavenly blue.When I looked through the material, the orange color of the sky shook me, and I decided that the audience should be download the film Жизнь во имя любви 2 / Aashiqui 2
and prepared for such a shock. Fortunately, the previous episode has not yet been cleared, and I immediately download the film Жизнь во имя любви 2 / Aashiqui 2
and organized a shooting at a cafe on the air. Ordered orange umbrellas over the tables, justifying thus the orange dominant primary episode.For titles I picked up the walls yellow, red, brown, blue colors in their background strode Fund. A building chosen yarkosinie, pink, all brightly painted. In LosAndzhelese brightness does not hold. Sometimes I am guided not by the color palette, and the architectural styles.The "verdict" we combined the limited color gamut of the old architecture. Watch the film Жизнь во имя любви 2 / Aashiqui 2 online
. And in the "sinfulness of sin," I needed the most modern style, which only could be found. Fortunately, we were shooting in Toronto, where a lot of modern buildings. Phil Rosenberg at the time we found the correct object.Today, operators have download the film Жизнь во имя любви 2 / Aashiqui 2
and reached a level of skill that shooting on location to shoot in the halls and you can not tell. I choose this or that, based on two factors. The first budget. If the photo is more than two days, I choose pavilion. It is much more economical, because nature has to take out a bunch of extra people and equipment.Of course, if the subject is too complex, is sometimes advantageous to take it live, than to reconstruct the pavilion, even if the shooting lasted for more than two days.