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Hence the need to identify the video as a relatively independent sphere of creation and dissemination of works of the screen.Early on home video began to develop in parallel in two fundamentally different forms of technically. On the one hand, video players with video tape, that is, on tape, on the other - video recorders, which download the film Фильм Кобра:
and corresponded to a record on DVDs.Moreover, among the various techniques of recording and playing back the cassette and disc, there was a constant struggle, but after more than a decade, gave a more or less definite results, although it continues to this day.The coexistence of different formats tapes, video players of different designs, disparate systems, television broadcasting, competition between capitalist firmamiproizvoditelyami equipment - all gave videosfere extreme randomness and diversity in which even experts in video technology and market conditions could not alwayscorrectly identify prospects. So, initially it seemed that the leading role in this area will take video players and DVDs, because, first, the drives are less expensive than tape, in the use of wear-, second, their information content is much greater.On the other hand, they are beneficial to producers of records because they do not allow amateur replication. However, the disk had to quickly give the pas videotapes, which, in our opinion, was determined by the psychology of consumers, because for them was like a VCR has long existed and familiar sound recorders.Also, here and relish the ability to record TV programs directly from the TV, and the best, at first, the image quality. That is firmamsozdatelyam of programs that have been very download the film Фильм Кобра:
and interested in artificial complication of the rewriting process, initially failed to impose its standards public.Only the rapid spread of DVD in the 1990s. really began to replace video tapes from the market videos. What are important in theoretical terms effects of the invasion in the culture of home video equipment? First, there was a fundamentally new form of communication with the audience works display.Video, especially as implementation and representing video version of movies or television programs are taken from the television broadcast. The consumer has to deal with an independent work, the perception of which he is able to control, that is,stop at any time, to continue on, to speed up, slow down, repeated several times, etc. From this perspective, view the movie closest to reading a book that previously seemed very far away from the art of the screen on the specifics of consumption.It is therefore evident that the video can not be considered in any way part of any TV as such, nor a movie, according to the old tradition originating from the impossibility of repetition, returning back from the single rate, one-way flow of time and action, from which the specific intensity of each frame, which On the one hand, it must containvoids, and the other - must be adequately understood in the time download the film Фильм Кобра:
and allotted to view it. The video in this area can not afford much more freedom of artistic effects.However, as television shows and movies, the records can be of any length, in any case, the standard length of a magazine does not determine the format of a work, but also affects the formation of video.On one tape can be given two or three feature films a standard duration, desyatdvadtsat shorts.