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But it was faced with ignorance, habit. An important step was the "Wheel" Abel Gance. Psychology, the game was put in the explicit dependence otritma, permeates the work.Characters will no longer byliedinstvennymi essential elements work, take off your next loudly declared itself the duration of images, their resistance, their connection. Rails, locomotive firebox, wheels, gauge, smoke, tunnels - a new drama sprang from genuine change movements, deployment of lines.And then, finally, the concept of rational concept art movements was part svoiprava and guided us to the symphonic poem of images sozdannoybez known recipes. Symphonic poem, which, Kaki in music, the feeling does not shine in the facts and actions, but in feeling, and the image is set to the sound.Visual symphony, rhythm combined movements, not download the film Фильм Кобра:
and connected with the characters, the line shift or volume, beating them in the changing size creates emotion with the crystallization of ideas, or without it. The public has not had a decent reception "Wheel" Abel Gance.And when the filmmakers used a variety of game rhythm, rhythm analysis in the synthesis of movement among the spectators were voices of protest: however, the futile and soon re walking into applause. The same thing happened a few months later and with different effects. Time getting used to, another obstacle - a waste of time.Sinegraficheskoe movement, visual rhythms, appropriate musical rhythms that give the overall movement of its meaning and power, similar in essence harmonic durations were to improve together, so to speak, with the sound of the extracted emotion of the image.It was then download the film Фильм Кобра:
and earned architectural proportions of scenery, a glimmer of light, depth of shadows, or lack of balance in the relations of lines, features optics. Each frame of "Caligari" seemed chord thrown into the stream of fantastic and burlesque symphony. Significant chord, Baroque, discordant with the highest traffic of changing images.Thus, the movie, despite our ignorance, getting rid of the first error, transforming its aesthetics, it is technically closer to the music, proving that visual rhythmic movement can cause emotions, similar to what is sound.Imperceptibly fable narrative and acting began performing less important than the study of images and their docking. As well as the musician is working on the rhythm and sound of a musical phrase, filmmaker began work on the rhythm and sound of the images.Their emotional potential was so large, and their relation to each other so it is logical that they become self-sufficient expressiveness, the need for the text disappeared.It is this ideal I imitated when she worked on "The Madness of the brave" I avoided acted scene and tried to rely only on the power of visual melody, the sound of the senses, always alive and changing, even in a weakened or non-existent action.We allow ourselves to doubt that sinegraficheskoe narrative art is art.
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As for me, I think that the movie is much more characteristic of a sensual suggestion than cold precision.Is not it, like I said, music eye, should we not consider the topic, serving excuse for a movie like chemto sensually perceived theme, inspiring musician?The study of these different aesthetic trends, evolving to a single expressive movement, pacemaker emotions, logically leads us to think about the possibility of pure cinema, able to live without the tutelage of other arts, without themes, without acting performance.The main obstacle in the way of the movie is slow development of our visual senses, the slowness with which it finds itself in the integral truth movement.Can line unfolding in the best of their opportunities in the rhythm, slave sensation or an abstract idea, excite us without any objectivity, by themselves, a game of their own development?