Like noise, music can help quite characteristic of the ideas and concepts that have already been defined, but it can not define or symbolize their own.So the music in the "deserters" did not reach its goal - not to mention its dubious cinematic, since this aim rather is a matter of ideology than material reality. Connection with the narrative.However, commenting on cinematic music determines not | only voiced its relationship with its staff - and we still studied it only in this respect - but also tak196 and communications background music to the scene action of the film. At first glance, the situation that the music has to be download the film Эротик кино
and linked to the action, it is download the film Эротик кино
and undisputed.And is not it obvious that such a relationship is particularly necessary for contrapuntal music? Its foreign topic - alien that express themselves footage - obviously meaningless if they do not contribute to the plot. On these considerations formed the dominant theoretical thought.In 1936, Kurt London claimed that the music in sound films should serve as a "psychological advancement of action" and that "it should smooth the transitions between pieces of dialogue, it should set associativity to further develop ideas and thoughts;and over and above all this, it should strengthen the climax and prepare for the further course of the dramatic action "Ernest Lindgren, entirely agreeing with the opinion of the functions of music in London, complements another. "Music ... must ...from time to time to serve emotional release "to both associates with Hans Eisler, who emphasizes that all this applies to the contrapuntal accompaniment."Even in cases of extreme departure, for example, when the murder scene in a horror movie is download the film Эротик кино
and accompanied by a deliberately indifferent music and accompaniment, the lack of communication with the image must be download the film Эротик кино
and justified sense of both in general as a special kind of relationship.Such structural integrity must be maintained, even when the music is used to contrast "is not indifferent to the structure and purpose of music Aaron Copland, otherwise he would not exaggerate its capabilities as a means" to bind together the visual work, which by its very nature, always in danger disintegrateapart "Music that so helps build screen narration, certainly has some dramatic value. But this does not mean necessarily chtoona just "good" cinematic. Most often, the music is very useful to the story, though contrary to the specific movie.Cinematic music in the film, as well as the synchronization type of speech, depending on how much in the nature of cinema itself underpinned by its story.Error prak197 cally all critics, confuses dramatic advantages with cinematic film music, due to the fact that the traditional aesthetics of the movie does not distinguish between types nekinematografichnymi and cinematic story.And since they are not considered with these differences, then, of course, to believe that cinematic soundtrack film is download the film Эротик кино
and determined by how well it promotes coherence of its action and plot helps to create tension.