Film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 to look online

The theater needs a strong creative team of actor and director.The play must be created by a single will of the creative team - a situation of joint efforts is the actor desire to work hard. But the guiding principle in this union must belong to the director.- I want - contact us Stanislavski - to the development of this specialty, of course, with my help, and download the film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 and engaged you. And further Stanislavsky clearly identified the problems that we, the assistant, had to solve in a short time. - True art - he said, - makes the actor look at the laws of creation.Possession insure against accidents of any formalistic contortions. The possession of these laws binding upon rezhisseravospitatelya and leader of the theater group. After all, without the knowledge, understanding these laws rezhisserpedagog will not help the actors develop and deepen their acting skills.And "know", "understand" - the actor's language means "to feel." Therefore directed his way in the art should start with the same, and where the actor - with a practical study of the laws of acting. It is necessary that he "went to the actor's skin", learn the ins and outs of the profession.REHEARSALS 35 PIECES Griboyedov "Woe from Wit" Further lessons with assistants Stanislavski built in the form of practical exercises. These lessons began several months before the opening of the studio and download the film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 and continued for some time after.Stanislavski worked with us over the elements of the actor's psycho-verbal action, on the role of the method of physical actions carried out trial lessons teaching system. It is worth recalling that Stanislavsky always paid attention to studies of psycho elements and verbal action.These lessons he considered absolutely necessary for each actor throughout his creative life - because without a well- developed cast unit can not pass the subtlety and depth of feeling inherent in the role.In our case, these lessons are to be of importance because without adequate preparation of internal and external staff actor would have been impossible to launch the main purpose for which it was created studio: the work on the role of the method of physical actions. Lessons psycho I will go a little later.Now focus on the work of Stanislavski us assistants, on the role of the method of physical actions. For this work, he suggested that we play Griboyedov "Woe from Wit".Stanislavski believed "Woe from Wit" finest examples of realism in Russian literature and the Russian theater, valued his patriotism, did not stop to admire accurate, bright, sonorous language Griboyedov. For very fair idea of ​​Stanislavsky, access to such material was also enrich us internally.I'll tell you about three things working on this play. The very first zanyatierepetitsiyu Stanislavski began with a discussion about the method of physical actions and work on a role with this method: - First, we worked like this: the director outlined the mise en scene, sitting in his office, and an offer for him to fulfill them.The case came down to the fact that the actor is essentially copying what show director. But the copy is not art. First we stuffed all sorts of lectures actor of the era, described in a play about the life of a particular environment, and so on, resulting in an actor on a stage with a swollen head and he could not play.I do not deny the need to study the era, history, etc., but above all, we must proceed from the action, which is the basis of our art.

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