Film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 to look online

However Zatoichi are still the most important: it devalue and destroy the myth of the samurai charged to him.Not for nothing was he - ugly and absurd bednyakmassazhist - is the undisputed champion in the martial arts and virtuozsamuray, despite all his skills, has no chance of winning. Questions of honor for Zatoichi too low importance, and his military talents, he does not attach much importance:basically he does not attack, and is protected in every fight wins easily, effortlessly. With the same ease he exponential always win in gambling.Few have download the film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 and noticed that the main battle scene the film, in which the rain Zatoichi easily destroyed, literally hacking to pieces, eight opponents - do not have the slightest bearing on them to the plot. Before and after it, we see a still masseur, sitting on the floor with a frozen half-smile, eyes closed:perhaps it preuvelichennokrovavoe battle he simply dreaming. You can go even further, suggesting that everything that happens in the movie - a dream Zatoichi and China. In the final, he download the film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 and opened his eyes, the invincible hero suddenly stumbles and falls to the ground - just like a lunatic, climbs in his sleep on the roof and falling out at that moment, when he was awakened.Not download the film Я ПЛЮЮ НА ВАШИ МОГИЛЫ 2 and recognized as a classic in the homeland, long despised by the Japanese producers and moviegoers, China is unlikely to be regarded as a typical Japanese. He feels at ease, appearing in Cain or Venice, but it is far less comfortable on a particular vnutriyapoiskom festival. Kitano - the idol of the whole world, knows it from a different side than the Japanese.And it is certainly to understand China before the end can, perhaps, only the Japanese. Swiss Limuzen, having to take it in their "Tokyo eyes" for the filming of the documentary film "Takeshi Kitano - unpredictable" specially invited Professor Siguehiko Hasumi to an interview he conducted with the director;in the dialogue between the two Japanese occasionally inserts its timid European issues. Kitano - Asian and proud of it. He even struggles in its own way with the "Americanization", as evidenced by one of his essays: "America has left us a legacy of English words, not their use. Same with ideas.We have inherited the word "individualism" and "human rights", but do not know what to do with them. Some time ago in America was the fashion for all Japanese. In traditional braziers were put house plants, kimono obi belt became a tablecloth, and a children's potty - spittoon.The Japanese laughed a lot about it, but perhaps the Americans could also laugh at the Japanese understand the meaning of "individualism" and "human rights." Unfamiliar words seem very important to the Japanese, but they do not know how to use them ... People use Western words, even in cases where there are equivalents in Japanese.They argue that since words are "cleaner". What the hell do they mean? You fools, where you found clean? The level of language culture drops everything they say about the "concepts" and "trends", learn to speak their own language. The same thing - with the words "freedom" and "right." Those who use them, no matter what do not work.They would only use an unusual foreign words when one would do the Japanese words. They say "sex" or "penis" to hide the roughness of Japanese. It helps to deal with the taboo gravitated over these words, to end abstinence from pleasures.Because they casually throw English words that was once ashamed to say poyaponski, and hope that no one would understand.

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