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There were three main rules: Any communication between the filmmakers and the characters were forbidden;The filmmakers had the right to come at any time, day or night, and shoot anything that is not behind closed doors, the heroes must continue to talk or perform actions, regardless of the arrival of filmmakers and start shooting. I recently asked Leytermana about the shooting.It turned out that the trust Edwards to the operator, their confidence in his tact and competence outweighed all the rules. Heavy, violent quarrels, when Billy sling Antoinette from home - yes, it was.Billy and Antoinette are going to make love - operator removes affection, but the camera is switched off as soon as they disappear into the bedroom. Rules do not make that difficult, but they must comply with a degree of caution. Even get permission to shoot at any time, anywhere, you need to use common sense.In 1963, Robert Drew, Ricky Leacock and Pennebaker Don Kennedy got permission to film the confidential meetings. In fact, Kennedy has given filmmakers free access to all sessions, but that's what told Leacock criticism O'Connell: Pennebaker noticed that sometimes the President began to glance at the camera.Penny then stopped shooting. Because if you do not, the President in a few minutes to say "Stop." Then we will have the re-shoot. Have to ask permission of the President. If the operator download the film A Gentleman’s Dignity
and stayed on her own, then he could again turn on the camera, when he wants. Just think, miss something important.But you can start shooting at any time. Criticisms for many years been a barrage of fire Kinopravda criticism. Before you start working with this technique, it is necessary to know the basic arguments of the opponents of this trend documentary. Simplicity and lack of ideas.This claim was presented mainly Fred Vayzmanu those critics who believe that his films superficially reflect the essence of the public institutions. Without a deep sociological or economic analysis of the film is not particularly interesting. Choice of characters - the basis of the film.The essence of the claim is that to create a movie-style Kino does not require much talent. All that is needed - to choose a hero or a theme. Find true charming character type Beatles, Leonard Cohen or the popular racer, and a movie in your pocket. Portraits superficial.Early Kinopravda claimed to create a deep psychological portraits, adherents of the movement argued that only they can, overcome all external and superficial, to discover the "real" person. This statement is now being seriously questioned:critics believe that in any shooting techniques hero equally wary of the camera. The method is unethical. The basic argument is this: The characters are not aware of the impact that can have a movie on their personal life and destiny, and the filmmakers are using them for fame and money.Many criticisms should be taken seriously. Look online
. However, mud, critics overdone.Taking into account past experience, it is safe to say that most of the serious filmmakers worked with enthusiasm and compassion, their films demonstrate a deep understanding of human nature, family, social institutions and social action, which would be impossible with other methods of documentary.They have enriched the tradition of documentary and generous paved road that follows many worthy authors.