FILM A STORY OF DAVID
Natural polyphony is a gigantic sound palette of colors director.And the greater the diversity around us, the more difficult to make a precise selection, get to the point, to find exactly the kind of sound, which, together with an image in the mind of the viewer will create the download the film A Story of David
and desired image on a plan zvukozritelny. Some people believe that noise can create a soundscape that they represent only the shape of the screen works.Such a short- sighted view of typical cold artisans who do not know the theory and endowed with the ability to not imagine the internal screen, and then feel like "working on the viewer" noise mapping and plastic images.Noise equally - a form element and the element content of the work, its dramaturgical component. Think of Pushkin's "The Stone Guest" download the film A Story of David
and directed by Schweitzer, po161 try to hear the inner ear moves the statue, and you will immediately agree that this piece of content, not just the form.Of course, the nature of the sound, "tone" of steps, the horror, they suggest the audience and Don Juan, is the result of a combination of content and form. Noise in screen products can perform different functions, they can solve a variety of artistic problems.Directors and sound designers need in its quiver creative techniques have a full set of options. In addition to being on many large studios shumotek, there were records of noise on the CD, as it were, all at your service. The case for creative choice.Creating a real function of noise sound atmosphere screen action - the simplest functional task. When we see a person speaking on the screen and hear them spoken word simultaneously, we say it - a direct synchronous. Something like this is meant in this case, what we see and hear it.In the frame of a raging snow storm, snow swirls roundabouts on the pavement in front of houses and cars, white clouds carried by the frame. Accordingly, in the sound we hear is sagging, the growing noise of the wind and even whistling. What is the force of the wind in the visual range, that is what it should be and sound in our view.Even in the simplest case a real atmosphere of action, we will choose the nature of noise. Not always achieve this goal, grabbing first got noise from the desired name. Sometimes you have to take two or three noisy soundtrack and combine them to get the full match on-screen experience images and sounds. Experienced directors can, der 'Ms needed pictures in your mind, conceptually imagine while listening to the noise soundtrack corresponding or not sounding noise from the tape leniyu impression is made by the screens.But in any case, the ultimate test for a match raktera auditory and visual images occurs when simultaneously you can see and hear the tempest on the screen. 162 Even when the frame or the car pulls away from the camera zooms out, you can not use the first available sound of the motor.Sounds of different makes of vehicles differ from one another, and the experts can always catch small podhalturivshego sound engineer.