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Fairy tales of the Viennese wood
WATCH THE FILM BETWEEN THE LEGS IN EXCELLENT QUALITY ONLINE However, Grierson does not consider the "form" as a pure technique, divorced from its superior ideological substratum.On the contrary, his appeal to the Russian theorists is no accident: it is closely related, if not with the same ideology, then certainly with similar objectives, with a similar view of the social role of the movie.He, no doubt, would be prepared to subscribe for Lenin-sky saying that of all the arts, cinema is most important, and under the approval of BГ©la BalГЎzs, in the movie the most important - it is not art.We have already mentioned the fact that when meeting with a new means of expression Grierson saw in him an instrument of democratic propaganda rather than an artistic phenomenon. "For a long time I was interested in the case of propaganda, and it was as a propagandist and I took up movie - confesses Grierson.- I remember that, when I came to the last war, in my head I sat very simple idea: we need a way to make the world kakimlibo interesting if you want to avoid another war. Since then, their propaganda I download the film Between the legs and started with this simple idea: to make the world interesting. "Over time, the struggle for certain films in general led Grierson further sharpen the social trends of the creativity.His thoughts about the relationship between film and society, the educational role of the documentary film, designed to serve the community along with the post and rail, and with it - the bitterness of a man who sees the gap between their expectations and the reality of things - here are the reasons download the film Between the legs and pointed, which gradually becomes the main feature of creativityGrierson. "At the present time and in the environment in which we live - wrote in this connection Grierson - above all the need to protect aesthetics. We can use it to penetrate into the inner world of the artist, no matter what the means of expression it is used, for aesthetics is consistent with this objective.But for the rest, it's an old, dear to our heart and seductive enemy that we would have time to study in perfection. Development of documentary film from the beginning, from the moment when we put forward our theory of social utility, moving from theory Flaherty - was antiesteticheskim movement.We all sacrificed their artistic ability, giving up ambition that they generate. " Anyway, Grierson not mind using "aesthetes": cooperation with world-class artists such as Cavalcanti and Flaherty allows his followers learn "secrets of technology."As we are introduced in chronological order with the work Grierson, we become increasingly clear that the approach to the documentary film, which originated in the English school.We can see that this approach is not specifically cinematic, we see that the solution of problems which put Grierson and his school, by means of cinema involves a number of adverse factors. Their views on the documentary film originated as a result of shortcomings in the existing information system.They sought to dispel the notion that, in these and other statements Grierson borrowed from Italian.