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Pupil, who plays Natasha in "Three Sisters" by Chekhov, volunteered to try this way to play the final scene of the first act, Andrew:"I am ashamed ... I do not know what to do with me, and they were getting me to laugh. What I have now left because of the table, indecent, but I can not ... I can not ... "to identify with her student action in this scene, Stanislavski proposed to perform the action in turn use different tools:naivete, resentment, caprice, anger, etc. After the exercise was carried out, Stanislavski disciple asked, What do you feel it every time you change devices. She said that each new device is causing it a new feeling, a new rhythm and action.- Very well, - approved Stanislavski - but firmly remember the adaptation does not change the action, it is in any case is the same. Changing devices for communication not only helps to calm down, not zashtampovyvat words as not to put them on the tongue muscle. And again, all of these have to be justified sostoyaniyaprisposobleniya internally.These exercises under the supervision of Stanislavsky were performed and the other students studio. This download the film Cartoon-4 Salute Our Classic Cartoon
and enabled each of them to experience how diverse palette of acting in choosing accessories. 100 In conclusion, the lesson Stanislavski warned all of that device in any case did not become an end in itself.It is fraught with care away from the main line of the role and plays against the logic and clarity of thought, embodied in the play. To show how true were warnings Stanislavski, here the episode from my own teaching practice.This was exactly the case when the device, no longer perform a service role, have become an end in itself and taken from the main line of action. We rehearsed "Merry Wives of Windsor" by Shakespeare. Scene, "frog swamp." Fact: Evans in disarray waiting enemy. The scene involves two: Evans and Simple page.And rezhisserstudent nafantaziroval for many different Simple "tryuchkov": page and drank wine from a flask Evans and caught mosquitoes, and put them in a box, and so on and so forth student who plays Simple, doing all this boring unnatural. We began to find out what prevents it, and it turned out that the performer does not know why she does it.Then, deeply penetrating the given circumstances, we determined that he, Simple, tired of sitting on this frog swamp of boredom and he download the film Cartoon-4 Salute Our Classic Cartoon
and decided to have fun. First caught mosquitoes, and when he got tired, he decided to pour wine out of mischief from a flask Evans, then, when Evans sat down beside him, lightly hit him on the head, as if trying to catch a mosquito, etc.These were all tools that serve a single action - fun.
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and established, disappeared folk tune, the action took on logic and consistency."How important is the role of adaptation in the works - wrote Stanislavski - can be judged from the fact that many artists with an average strength of the experience, but with bright fixtures, give more feel your inner" life of the human spirit "on the stage than the other, stronger, and deeply felt, but have faded devices.