He is not just doing this or that director's picture, he takes possession of them the really enriching and developing his own artistic personality colors. Kudryashev objective world PIECES AND PERFORMANCE The man lives in the world of objects.It is an indisputable fact. We are firmly attached to things. They organize our life and our life. Moreover, our existence is subject to such an extent that at some point in life, we feel this attachment as slavery. All these quite known truth leads us to think:theater, like life itself, is the subject of most of the arts and the most victorious in overcoming this conflict, For the theater was able to make the material world human world imaginative metaphorical. Or - the metaphysical world. Theatre expanded the boundaries of reality, while maintaining the most objective way of expression.He magically fused illusion and dream of a spiritual life, which is always in our lives, with a top specifics of his appearance. This is true - his physical, close to the essence of us is undeniable.He does not carry any of the transformed modes of expression, the actor on the stage is always thought of as a physical reality and is in this sense any spectator. It is tangible and material. At the same time, at the time of his life actor breaks outside this equation, it is born something intangible.There is great magic connection of the physical world and the metaphysical, born disconnected space of the human soul, placed in a closed stage box. Perhaps, for this simple obvious and hidden mystery of the eternal vitality of theater as an art form as close to the human being and the human likeness?Refinement artist in a particular subject and the world of life allows you to make the same magical transformation, and with the objects around him and interacting with him. During the stage action item, without losing its real function, quietly acquiring another, he was not originally inherent.He spiritualized, saturates other internal content. He is, according to literary Chudakova, "real sign of non-real relationship." Theater succeeds like no other art, to overcome the age-old conflict of material and spiritual, and to create state-a "compromise."We repeat that, of course, not the object, a thing on stage does the hard work. He reinvented only in connection with actions, feelings and thinking actor, enter into complex relationships with its environment, and partners. But the subject of the scene and is not only a device to technological means of the artist.It acts as an important part of the visible invisible life, a kind of metaphysical component of the background and the role of subtext, absorbs most of the spiritual life of the character. Look online
. For the most part he takes on the functions that generalize the inner meaning of events, speaking at download the film Cartoon-4 Salute Our Classic Cartoon
and certain times and is familiar event-line performance.Interest in connection with this topic to ask another question - why Stanislavsky late in life turned to the development of so- called "method of physical actions" directly download the film Cartoon-4 Salute Our Classic Cartoon
and related to the objective world performance?