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Fairy tales of the Viennese wood
FILM CARTOON-4 SALUTE OUR CLASSIC CARTOON This is exactly meant by Jean Rouch, when he spoke of "Kino".Just as Perry started with reportazheyissledovany, Rush began with ethnographic films. The evolution of these directors can not be criticized on one truth, and respect, the function of fantasy and how it overcomes the real and the fake, the role and the need for "patron" of the most important text - a conversation with Renee Allo Perry:В«Ecritures de Pierre PerraultВ». Edilig, p. 54k this text, you can add all the analysis ZhanDanielya Lafont, entitled В»L'ombre d'un douteВ», where the film is described as the art of Perrault "hypocrisy": his characters "are fictional, though it does not exist, belonging to the realm of fiction."understood on the basis of only one reference to the inaccessibility of the "raw" reality, the fact that the camera has an impact on the situation and the characters react to the presence of the camera, they knew everything, and it almost did not bother Flaherty and Leacock, who saw here only lzheproblemy. In a Rush, like Perrault, innovation has other origins.It begins to articulate a Rush in "Bezumnyhhozyaevah" when the characters involved in the ritual, obsessed, drunken, foaming at the mouth, entering a trance first show in their everyday reality, where they work as waiters in cafes, diggers and laborers - these so they will once again after the ceremony. And that's what they were before ...Conversely, in "Yanegr" real characters shown through their fictional roles, Dorothy Lamour - little whore, Lemmy Cochin - Treychvilla of unemployed, even if later they themselves have to comment and correct to assume the function. "The "Jaguar" three characters, and especially the "boyfriend", share the role of contributing to their clash with the realities of travel, as the potency of the legend: fetishists are meeting with the organization of work, manufacturing of gold bars, which are then locked up and never use , alternately visit a big market;Finally, the creation of a small trading company with the motto, replacing ^ ready formula figure capable compose the legend: "gradually builds himself a birdie ... bonnet. " And, like the old, they go back to his land, full of deeds and wrong, so that the slightest incident potency contains false.In one of the character is there always a transition from one state to another, as in the episode, when an American lion hunter calls or when travelers from the movie "doodle, Mr. Chicken" meets Devil.If you dwell on these masterpieces, then, first of all, we can see that the character has ceased to be both real and fictional, because of the fact that the camera is no longer see it objectively, and he download the film Cartoon-4 Salute Our Classic Cartoon and stopped to look at the world subjectively:is a character who conquers mountain passes and across borders, because, being a real person, he has the buoy ^ nym imagination - and the more he invents, the more real it becomes.
WATCH THE FILM CARTOON-4 SALUTE OUR CLASSIC CARTOON ONLINE "Dionysus" is a grand synthesis of Rush:is the image of an industrial society, uniting mehanikamadyara, riveter from Ivory Coast, distributors from the Antilles, and turkaplotnika shveyumotoristku from Germany, this image is 1 Avg.Analysis ZhanAndre Feski, demonstrating how, starting with "Bezumnyhhozyaev" Rush is the "shift, following the already exciting shift which is theme of the film."And gradually, "what takes Rush, and shear are not behaviors, not dreams and not subjective speeches and inseparable mixture of disparate elements that combine with one another." 464 Gilles JXe / iea KlnoObrazvremya 465 plunges into the Dionysian past, and have three maenads, white, black and yellow;but this is the past and the future can be download the film Cartoon-4 Salute Our Classic Cartoon and called, that is, post-industrial horizon when a worker becomes a flutist, the other - the drummer, Other - cello, soprano, etc.