But we believe that he was still far from the truth. You can not compare the screen with the picture. On this rectangle of white linen, we can not find any volume, or color.You can even wish that we had not found them, as the face of such an exact copy of reality, we greatly reduce the risk to our feelings but to the delight of fidelity reproduction. Let no one ever says, staring at the screen: "How cool, you might think that you're there!"Note that the mass audience does not think about, while the same audience in the art appreciates a similar portraits and chromolithography. Yes, people felt this viewer: cinema - and not a painting and not a reality. It is a reality greater than painting it by nature with its mysteries and plays a key role;the reality is smaller than that which is around us, it is - its direct interpretation, it only knows the secret of the lens. More theoretical and less common were and still are the expression, bringing together a movie with music. Abel Gance, enthusiastic apostle of this point of view, said: "Cinema - the music world."In essence, this is just a rhetorical device. Is it not said that the music - it is a subconscious? Film, there is something quite the opposite, and in it all just like to cruelty.At the time, as a dream and meditation seems to underlie rationalized musical enjoyment to evaluate the moving image, constantly need close attention, as it is scattered, like pleasure disappears.We are still at the rough stage of learning, when we are able to capture on the screen only a weak fraction of what goes on there. And we experience the need to raise our eyes to see better and better, leads us to the conclusion that the expression sinegraficheskaya easily do without fusion than without analysis.These considerations, the strained comparisons force us to isolate the cinema in the field of our sensitivity, look, what are his own means of expression. First of all, note that kinovyrazitelnost before us in a double guise: external, that which comes from the images themselves, and the interior, which stems from the intention of the creator.There are natural phenomena, watch the film Comrade Stalin online
and explained on their own. There are small, so- called documentaries, through which, if I may say so, the nature of cinematic opens by itself. Often this is an exciting question, please contact us by so many secret things for us. Before our eyes, a new reality.We are not only open to us face the unknown world, but we gain the ability to more acute perception of well-known things. Look online
. The fact that the mobility of the kino-eye and attention, than our own. He not only saw things that we had never seen:mantis in its nature, crab, hiding under rocks on the sea floor, which he piles on his back, and a thousand other things. But, in addition, that it shows us, it reveals to us more fully, with surprising significance, scientific coldness, inexorable precision parts.And nature is expressed in the film with such simplicity, so artlessly that even the least inclined to philosophize viewer starts to think about the important things.How exciting to have any direct opening image, in terms of the expressive value of greatest interest are the intentions of a man standing behind a movie camera.