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Fairy tales of the Viennese wood
download movie Stalin Rather - a "historic moment", which includes the social experience of the artist, that is, knowledge of the past, present and momentary foretaste of the future. Given all this, let's consider the concept of the atmosphere in three dimensions, it is not trying to give collateral to the scientific definition.Of course, the atmosphere is multilayered, as we outline the three main characteristics of it. Spatial - correlation of internal processes with the space environment on the stage of life. And not just correlation, but fusion, conflicting or "unison" psychological experience as a performance space.Or else - not just a fusion, but a constant, dynamic interaction of these two indicators. Time - temporitmichesky and "historic" levels of each role and performance in general. Psychological - in connection with the two previous harakteristikami- ability to enter into his role, saturation, and specifically, the space-set of the performance.It goes without saying that the concept of air taken in these three aspects, is closely associated with the author's "job" and their refraction in the director's decision. The ability of the director to capture the drama of the material for the organization of all three components of the atmosphere ultimately characterizes its wealth or poverty.Of course, the "face of the author," that is initially given and guess imagery, defines not only the atmosphere in all its characteristics, but also dictates the decision of the play as a whole in all its artistic unity.Now the concept of the atmosphere is released from the holistic world of copyright, recovered on the scene, quite artificially, for a more comfortable viewing. At the same time we always keep in mind is the integrity of the play and the play from which we isolate this element.This obvious truth should nevertheless stipulate, as sometimes occurs, as it were independent, "valuable in itself" alleged "atmosphere" of the play, or passage, built a series of staging techniques originally rejects from himself an actor who failed or did not want it "fit" .This does not mean that staging is directed by means of a ban. Today awakens the island and a natural extension of the director's interest in technology and enriching the arsenal of the director. And this aspect of training the young director in the theater school paid much attention.However, the cornerstone of the establishment of scenic atmosphere, as well as the construction of the play as a whole, has been and remains an actor with all its possibilities and shortcomings.(Under the shortcomings we have in mind a purely human ability not only to create an artist, but also, unfortunately, to destroy the whole effect of fatigue, depreciation scenic picture, lack of interest or lack of active, intrinsically continuously evolving and growing solutions and so on. D.) All three characteristics of the atmosphere is not just one way or another connected with the actor, but animated, "dynamized" them. Although again it is necessary to specify that the actor's means of expression must be tenaciously connected with the director's methods of creating the performance.