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They go out in the brief moments when the night was over, and the morning was not yet come. Dawn mist envelops nezhnorozovoy streets, houses, to soften the harshness of their shapes.They still only siluetyploskosti download the film D.O.A.: Живым или мертвым D.O.A.: Dead or Alive
and instead siluetyobemy. Massive home seem easy, almost transparent. Then immediately - a dark damp basement, shelter the homeless.Sharp color change knocks us out of the poetry of the early morning, with its pastel colors and serorozovoy plunges into korichnevochernuyu den, where street children sleep in a heavy, stuffy world of their life. So, at a certain linearity of colors seen in the movies Magidson importantly - understanding the dramatic possibilities of color in cinema."Harmonic unity of color can be achieved even with perpetual motion," - said Magidson. But you need to at least mentally make the color of the future film score already reading the script. "The color of the material to be incorporated in the frame before shooting" - that is, should be especially careful to think through the color in the scenery, costumes.Possibility of random color combinations that sound like a false note, should be excluded."At all stages it was and will be a task - to break stolid, once download the film D.O.A.: Живым или мертвым D.O.A.: Dead or Alive
and established correlation between household items phenomena - in this case the color of phenomena - in the name of ideas and feelings, trying to speak, sing, scream through these elements," - this is the word of Eisenstein. And further on:"From the colorful carpet color we really disorganized for the solution of the expressive tasks should throw those parts of the spectrum, those sectors obschetsvetovoy palette that sound out of tune our assignment."These basic principles set out by Eisenstein in 1946 in "First letter of color" were intuitively understood and accepted Magidson, as they coincided with his artistic inclinations.Ability Magidson, not theorizing at conferences, not diskussiruya openly with colleagues, intuitively and empirically understand the special, the natural laws of color film was also manifested in his unraveling the "secret of green." The most difficult to reproduce on film was green. He received, or brown, or poisonous.Operatoryteoretiki argued calculated ... Magidson tried looking for. And then stunned everyone famous "green roller", which reproduced the various shades of green, proving in practice an extremely rich color cinematography at that stage of its development. Watch the film D.O.A.: Живым или мертвым D.O.A.: Dead or Alive in excellent quality online
. The notes Magidson we find the following statement:"Green could not get because he was being a little download the film D.O.A.: Живым или мертвым D.O.A.: Dead or Alive
and watched. For indifference to their green color that decorates our lives, revenge. He started to get a purple, then yadovitozelenym but rarely harmoniously blended with a number of color standing, especially jealous of the appearances of the person.Green humble and never to sway it in the frame.