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Fairy tales of the Viennese wood
LOOK ONLINE Stanislavski download the film Fiksiki and asked her to decide which line is selected.80 After the meditation student replied that the problems are not equal: the first, more likely, may be called external, and the second - the inside. Therefore, she said, you can try to link the extension to the physical action. - That's right! - Approved Stanislavski. - Scoop the water - it's just a small thing that brought you here.But this is not the point. Main Line - is love, because it is your inner experience. I see here you have the love, frustration, hope, comfort, and, finally, the loss of all hope, there is a line you have a human soul, and there - only the line of the body.- But then - download the film Fiksiki and again said someone from the place - it turns out that the girl came to the shore the water is not taken. - No, it is water - stood his Stanislavski. - I came to draw water, and got emotional tragedy. Only if the product will be wondering when it will detect the life of the "human spirit."Could there be a physical line without inner justification, saturation? Of course, can not. Stanislavsky then turned to the performer with the question of why there was a sketch of her theme of love. Pupil answer is not very confident: - fantasy, imagination suggested.- It means - summed Stanislavski - with the correct physical action you have come to the threshold of the subconscious. This is - work your nature. This is your emotional memory kakimto suggested by you this experience. You have found the truth of physical action, this truth will remind you that you was once experienced.And then Stanislavski, building on this particular example, led to a generalization of the Studio. He noted that in any of the actor we must first find the "what to grab," to which become firmly. To this end, based on the given circumstances, setting each of them "if", the actor must create a physical line.If the given circumstances defined true if the interrelated actions follow logically from one another, and are brought to the end, to the absolute truth, it always helps to come to the threshold of the subconscious. Thus, the present stage creativity always closely associated with the actor's imagination.Artistic imagination, as opposed to the imagination inherent in every human being, there is not in itself, but serves as a major factor in the creative process: based on it are works of art, artistic images. The material for the artistic imagination Stanislavsky encouraged to draw from life:of experienced by the artist, of books, of what is happening with the surrounding 81 people. In artistic imagination gleaned from the experience of the elements must mesh, combined, combined in the new order.
FILM FIKSIKI Stanislavski somehow told me that he is remembered in the lives of most is what brings the element of imagination.For example, sharing their impressions about kakoynibud trip abroad, he often lowered unpleasant, annoying little things: a good kakimto in unexpected ways also interweaves fiction. A few years later he himself was hard to figure out what actually happened and what is fantasized.