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Tarkovsky about the film "Andrei Rublev", "If anything, one of the most important conventions of the movie lies in the fact that kinoobraz may be implemented only in the actual, visible natu70 eral forms and audible life. The image must be naturalistic.Speaking of naturalism, I do not mean naturalism The current, the literary sense of the word, and emphasize the character of sensually perceived form Film."Dreams" on the screen should be Flemish boy movie watch online in excellent quality
, and consist of the same clearly and precisely visible, natural forms of life itself. "" We are now completing work on picture of Andrei Rublev. It takes place in the XV century, and painfully difficult thing was to imagine "how it all happened."Have Flemish boy movie watch online
and to rely on any possible sources: the architecture, the monuments on the word on the iconography. If we opted for recreating the picturesque tradition, picturesque world of the time, then there would be stylized and conventional ancient Russian reality ...One of the goals of our study was to Watch Online
and to restore the real world of the XV century to the modern viewer, that is, to imagine this world so that the viewer does not feel "pamyatnikovoy" museum of exotic ...To Watch Online
, and to find the truth of direct observation of truth, if I may say so, "physiological", had to go to retreat from the truth of archeology and ethnography. "" This film is about Rublev ... For us, the hero in the spiritual sense is Boriska.Calculation of the picture is to show how from the dark era of increased contagious mad energy that awakens in Borisko and burns with a bell. "Ogorodnikov director on the film" Andrei Rublev ", she starred in the film" Andrei Rublev "," Solaris "," The Mirror "Tamara G., on which film did you start working with Andrei Tarkovsky?I am a was the director of paintings on the "Andrei Rublev". Later, when he was filming "Solaris", I became director of the association, where he worked. He was shooting at us still "Zerkalo". But he took off his you in three films? Yes. Also since the "Rublev". On the "Rublev" I came myself. Just read the script, he was in "The Art of Cinema" is printed.I do like it, and I came to Danilyants he was director of the association, very venerable. Then there were the director Antsilovich, Biyazi, Waqar, Svetozarov professor of the business, I believe; It was a profession. I asked: "Tell me, do you have the director on" Andrei Rublev "? He says," You know, I can not find the picture is very complex. ""I beg you, give me." I do not know if Andrew Arsenijevic, was not familiar with it, as well as with Yusov: I just saw them. Danilyants says, "Fine, but do you really want at this picture, it is so hard!" "Yes, I want to." "Well, I'll talk to him." He talked to Yusov and Andrew, we met.
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But the picture was really difficult? You know, when I say "difficult", but I'm starting to remember, for me it was surprisingly light on sensation. At 71 that the difficulties began with the very first day. The painting required a lot of money, which we did not have.First estimates we made on 1 600 000 rubles, then at 1 400 000, and then cut another 200 Battle of Kulikovo fell for this reason?