Go double attention from him. Look, as you physically transfused their energy in a number of various music. That your life does this heart beat? Pp. 121 Dynamics or static in it?And after a thorough study of music and himself in her rhythm you will always find what group of muscles squeezing your nerves, not letting your creative power to find the truth of the physical in your gait.A series of physical exercises in this music will take you to the correct physical action in the role and will help you to merge harmoniously your physical and mental activities. Ability to adapt their quality to each role, it is no less important work than the ability to choose from as your "I want" and put them together in a few organic quality roles.On the analysis - and very thin - can many, but creativity, role - a synthesis. And to him capable of a very few. That's why a lot of talk about the good roles, but they are playing poorly. Adjust their data for the role, so that they not only did not interfere, and helped in every way as a gift of synthesis, the gift of intuition.Gift unique individuality of each person. I know of a case where the Art Theatre young man played inimitably elderly. In all an impression that its data can be composed only of old age figures, where a weak voice, and delicate constitution, and a stooped - all meet this pore life.But suddenly, the actor expressed his desire to play the inspector. Theater laughing. But I am among the very few who did not laugh, and gave him this role. He conquered it not only the entire theater, but also the whole of Moscow, then created a gallery of types, and led the large group of artists. What's the matter?This artist has download the film Gudia
and managed to adapt their individual data so that the attention of his audience and to merge in harmony. There are no definite indications that the lover must be considered high and build.It may not be high, it may not be built, but the stress of his heroic life as double the audience's attention to the word, the inner action and detract from the external image. Your feet are ugly. But if they move to the rhythm of your whole being, that is,in the rhythm and the internal and external challenges, because you release them from the viewer, how "feet", they do not prevent you live and work on the stage, they obey to a common plan, in which you focus, doing some of it.But once you think you have ugly feet, instantly outage occurs in your life rhythm of the creative circle, refurbishing its task of attention and attract the attention of the crowd at your feet.
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Pp. TALK 122 TWENTY FOUR public attention, for good or bad side, always attracts a gesture.As for each role you, the artist should have the right feeling to the role of each piece, ie,to establish a number of the faithful of tasks, and only from the right of your feelings, you will find the correct action, just the right pace and the right gesture will come only when all the creative essence of your subject, it is easy and simple, the rhythm of all: performance, t . isyour union with all the force in the union would not play with the people you are familiar, pleasant or unpleasant, but acting in a play for you just what they picture in their roles.Actor should cultivate this flexibility to be able to see in the artist plays with it are not the quality of the human, that his officer is carrying the play as a human, but that's entirely those he download the film Gudia
and offered to see him as a convention scene.That's the feeling is right, and there you will find always the wrong note and the rhythm in which you have one with everything in the play.