There is always a part of the external kakayato movements that we are "absorbing" break, despite the fact that they did not convert any objects of perception, not actors;rather, they noted the coincidence of subject and object in pure quality. This is the third and last reincarnation obrazadvizheniya: obrazemotsiya. And it would be a mistake to consider it a failure in the system "pertseptsiyadeystvie." On the contrary, this third reality is absolutely necessary.For we, as living matter or uncertainty centers, specialized one of our faces, as well as our specific points, making them receptive organs, to as condemning them to stillness - but our activity delegirova1 persistent theme of the first chapter MM: conducting circle "around" centers of uncertainty. 2 mm, p.195. Eng. per., p. 'MM, r.183. Rus per., P. 2 EU, p. 751. Eng. per., p. 3 mm, p. 169. Eng. per., p. 119118 Gilles Deleuze whether authorities respond, it was then download the film Gudia
and released them.In such circumstances, when our receptive and immobilized "face" absorbs movement instead reflect it, our activity can be done only to the "trends" and "efforts" that replace actions that are at the moment or in a given location impossible. From this excellent definition, this emotion Bergson:"A kind of motor trend in the sensitive nerve", that is the driving force on the plate download the film Gudia
and immobilized receptive There is, then, the relationship of emotions with the movement in general, which can be summarized as follows:direct distribution of forward movement, not only interrupted by some interval, distributing download the film Gudia
and sensed movement in one direction, and performed - in the other, and making them as their incommensurable. Between the two movements there is also the emotion that this relationship is restored;however, just as emotions motion ceases to be progressive and become expressive, that is, quality, simple trend, moving fixed element.Not surprisingly, in the image of what we ourselves, that person with his relative immobility and sense organs is to identify these expressive movements, despite the fact that in other parts of the body most often they are hiding.Ultimately obrazydvizheniya divided into three types, when we relate them to the center of some uncertainty, as a special way: obrazypertseptsii, obrazydeystviya and obrazyemotsii. And each of us is a special way or a possible center;we are nothing more than a scheme of interaction between the three images, the combination obrazovpertseptsy thicken, and obrazovdeystvy obrazovemotsy.Among other things, you can proceed "in the depths of history," along the lines of distinguishing between these three types of images and try to find a matrix, or obrazdvizhenie as such, in its acentric of purity, in its first mode of variability in its warmth and light, when it is not obscured any centers uncertainty.How do we rid ourselves and how we untangle ourselves?
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This popyt1 MM, p. 203-205. Eng. per., p. Beckett did KinoObrazdvizhenie ku, creating cinematic work download the film Gudia
and entitled "Film" with Buster Keaton in the title role.В«Esseestpercipi, there to be perceived" - says Beckett, picking up the wording of the image, belonging to the Irish Bishop Berkeley, and it is certainly a slip of the "beatitudes percipere and percipiВ», if we know that our perception will continue until as long as we are alive, the most perception itself is terrible?Beckett has download the film Gudia
and developed a system of simple cinematic conventions "in order to put this problem and do this operation.Whatever it was, it seems to us that the instructions and diagrams given by him, and the moment allocated to them in his film, reveal his intention to only half Because, in fact, three factors are as follows.