equipment.In Ozu audacity installation approvals at an angle of 180 В° was enough to mount the image "to the last point with his wrong side" and that "the plan turned inside out." Mixed direction and orientation of the space, so that it is losing the primacy of the vertical axis, which could determine them.And vertical screen now has a relative sense, because it ceases to show us the world in motion and tends to become opaque surfaces obtained ordered and download the film Gudia
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and imprinted through a semblance of foundation glides over the surface of the other images in the "continuous flow of messages", but the plan itself now resembles not so much eye download the film Gudia
and asoverloaded with information the brain are continuously absorb it: so couples and mozginformatsiya mozggorod displace glazPriroda couple in the same direction and was Godard, even 1 Burch Noel. В«Pourun observateur download the film Gudia
and lointainВ», Cahiers du cinerna-Gallimard. 2 For Leo Steinberg S teinber g.В«Other criteriaВ», conference au Musee d'art moderne de New York, 1968) refused to give the definition of modern painting in B through the acquisition of a purely optical space, and insisted on the preservation, from his point of view, the mutually complementary features: the loss due to the vertical on zitsiey human interpretation of the picture as an information table;For example, this is the work of Mondrian, when he converts sea and sky into something reminding nayuschee signs, but especially common here Rauschenberg. "Picturesque a surface of no longer provides the natural analogies of experience, but is beginning to resemble operational processes. ...The plan is the equivalent of Rauschenberg's paintings of consciousness, download the film Gudia
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and steeped in the city. "In cases with a movie even Snow, have aimed to show the "fragment of nature in its original state," Nature and Machine "represent each other," so that the visual information are deterministic tion data " perceived in the operations of the machine and run it": "It film reminds concept, when the eye can not see. "600 Gilles Dele'z KinoObrazvremya 601 before starting to use the video resources. And in the film Straub, the Marguerite Duras and Ziberberga disjunction between sound and visual images by means of film or protozoa videopriborov - so no recourse to new technologies is not observed.And it is not just because of economic considerations. The point here is that the new machine and a new spiritual psychological machines depend on aesthetics first, and then the technology.