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limits."Journey to Paradise", "Call me in the distance light" in the film "The Unsent Letter" Kalatozov and Urusevsky background is the taiga, the raging fire, freezing river. The constant presence of nature in the frame turns it into one of the characters in the movie, and the nature of the active force is a conflict, and geologists - the second.Nature is very active in the paintings Dovzhenko. In the scene of the funeral of Vasil branches stroked his face. In the film "Shchors" dying Bozhenko carry on a stretcher, and in the background a giant burn candles - stacks of bread, giving the event the nature of the universal grief. Expressive system of sharp compositional decisions finds Fellini film "Orchestra Rehearsal".The orchestra rehearses in the old hall, where were famous musicians of the past. Gradually, this room is transformed into a place of sharp social conflicts. Realistic environment becomes metaphorical.Thus, the environment as the background - is emotionally expressive space in the frame, which enhances the image of events occurring with the characters. Like the colors on the screen composition, color in film, dynamic, fluid, close to the color music.He can just paint things and the space in the frame, but it can also turn them into an element of the dramatic action. Jutkiewicz director and operator actions in the development of the tragic "Othello" is also embodied in the color - alternating scarlet, black, and white. Subject scarlet image accompanies Othello.For the first time there is a red color in the costume of Othello, the login prompt chain mail, and flares during a time of love, when Othello Desdemona closes his cloak from the evening chill. "This same cloak convulsive movement tears off his Othello in a cabin, and he falls and flows like a pool of blood ...Scarlet does not return more to Othello, he moves to a velvet bed of Desdemona and Emilia on the dress, as a herald of the tragic death ...Only at the end, as in the prologue, again combines gray shadow armor and scarlet in the garb of the commander, as he lies motionless next to the beautiful Desdemona "motif is white with yellowish and greenish hues woven into the image of Desdemona, Othello goes to, then Fall in love combining Jutkiewicz director Counterpoint, p.Drugs second track is a dynamic plan that can appear and disappear, frame composition combines change constantly exerting vliyaizobrazhenie man and nature tion to the characters in the foreground. is the thought of their unity. " Enchanted Desna" "An Unfinished Piece for Mechanical Piano" lennyh, then interfering with their tragedy.If white is the color of purity and justice melody, the black mark on the action imposes severe solemnity. Look online
. The symbolic use of color goes back to Eisenstein, who pointed to its independence as a means of expression.Color in the film, according to Eisenstein, can not be visible in the right places it is action. Therefore, the color in the film is not always identical to the color in the real world, where the predominant subject - natural coloring of the surface of various things.Moreover, to achieve a natural color to the film, the actors have to make up the face, the grass and the trees.