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Fairy tales of the Viennese wood
FILM HERMANN DER CHERUSKER - DIE SCHLACHT IM TEUTOBURGER WALD Thus, an aspect of wonder may be relevant to the impenetrable face, carries profound or even criminal mind;but equally it can affect a young person, which felt curiosity, his face is so animated with small movements that they disappear. cancel each other (as in Sternberg's "Red Empress" where the heroine is' Descartes, "The Passion of the soulВ», В§ 54:"I was surprised to combine respect or contempt, according to the greatness or smallness of the subject, to whom we are surprised." A brilliant analysis of the concept of surprise in Descartes and painter Le Brun gives Henri Souchon. 146 Gilles Lelez KinoObrazdvizhenie 147 young girl looks around and wonders around - and here it gone Russian ambassadors).Another aspect of the series of intensity, download the film Hermann der Cherusker - Die Schlacht im Teutoburger Wald and expressed on the face, no less diverse. So where is the criterion for discrimination?In fact, we find ourselves in the face, expressing the intensity every time his features escape path and download the film Hermann der Cherusker - Die Schlacht im Teutoburger Wald and begin to "work" on their own, forming a series of self, which tends to limit, or even crossing the threshold: this is a series of rising anger, or, Eisenstein wrote, "uplink of grief."Potomuto this serial aspect is better translated into several simultaneously or sequentially displayed persons, although one person can also express pain in series showing its various parts or features. It is here that the function clears the serial aspects: the transition from one quality to another, to break through to a new quality.Produce a new quality, to make a quantum leap - that required the Eisenstein-up from pop as a servant of the Lord to the priest as exploiters of the peasants; rage sailors to revolutionary explosion, from stone to cry, in the three postures marble lions.On the contrary, we are dealing with a person or reflective wondered when his features are grouped so that dominates one frozen or terrible, but still and devoid of becoming, as it were, the eternal idea.Thus, in "Broken shoots" Griffith tortured girl still keeps a stone face, and it seems that it does not stop after the death of wonder and ask "why?", While on the face of love imprinted Chinese opium stupor and Buddhist meditation.Of course, the reflective face of this type is it meg deterministic rather than face a different type. Indeed, the relationship between the person and the fact of what it thinks are often arbitrary. The fact that a young woman from griffitovskogo "Age of Arden" thinks of her husband, we learn only because once we see the image of her husband;But if you think about it seems purely associative connection.
FILM HERMANN DER CHERUSKER - DIE SCHLACHT IM TEUTOBURGER WALD And so that you can be more confident in changing image of place, starting with a close-up of the object for which we guess the inevitable thought, read on his face.Thus, in "Lulu" Pabst shown closeup knife prepares us kuzhasnoy DzhekePotroshitele thoughts, and in the film Clouzot "killer lives in the 21st" rotating group of three items give us to understand that the character thinks that the key to the mystery - figure, however this way we do not comprehend the depth of reflective face.Of course, a reflection of the mind - is the process by which people think about chemlibo.