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By moving the background out of focus, you can achieve more accurate matching of the background to the front.This technique simulates the depth of field, which is usually when shooting close-ups. By moving the background out of focus, may also facilitate the installation, during which uses fragments of the same illustration.Also, speaking of the depth of field, be aware of the need to ensure the credibility of the transition zone between the focus background and foreground. Depending on the size of the actor in the foreground for the match with the action in the foreground may require recording the background slightly out of focus.A typical application of this method is to transmit news announcer hromakee where introduced unfocused image studio. Ward.Compose the shot, in the movies and on TV Problems with combining the background when the camera is in the front-end is limited ability to change the frame, as the need for matching and linear perspective, and the prospects of mass, there is a situation in which the installation is greatly complicated or impossible.The figure in the foreground will be in the frame either too high or too small, and the operator is not able to tilt the camera or change the height to compensate for this defect, because such an action would destroy matching prospects.Typically, this happens in cases where the horizon line is high, the lens of the background is low, and the actor is moving towards the camera foreground. The result is a reduction in the amount of "air" front-end and the inability to compensate for the decrease.The reverse situation creates the opposite problem. When the horizon line is low, the camera is located above the background level of the eyes, and the actor is moving towards the camera foreground creates a situation in which the amount of "air" front-end increases significantly.For a more acceptable result foreground camera can do very little or nothing at all. The solution to these problems is possible only by changing the background so that it matches the required action in the foreground and / or a change of the production on it.This is a serious problem that can be avoided by pre-planning filmmaking.It is important to remember that the height of the lens, the angle of view, distance to the camera on the subject and camera tilt, which lifts the background, to be used instead hromakeya will constrain and influence any subsequent action in the foreground.CONCLUSIONS imperceptibly introduction of one image to another requires a flawless electronic switching, achieved with appropriate lighting the background and foreground, proper installation and operation of switching equipment, the correspondence between the mood and atmosphere of action in the background and the foreground, which is download the film Hesher
and reached atwith lighting, sets, costumes and make-up artist in the foreground, the correspondence between the size, position and movements of the artist in the foreground and a view in the background, which is achieved by applying the relevant provisions of the camera and lens, as well as production activities.Ensuring compliance of linear perspective and outlook of the masses - is a very important requirement for creating independent Ward.