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Say no more. Our next rehearsal we were talking about the technology of the theater.One of the tricks in my statement-instant "FREEZE", meant breaking the internal state of the characters or the transition from the past to the present and time again. Here Dmitri sends a packet of letters to Igor. Dmitri remembers that moment, which began with the drama of his life. The event itself - to send letters - it was a year ago.In the eyes of the viewer memory becomes a reality. Here it is, the gesture: old young lawyer stretches the envelope stack. Stop! Froze. No facial expressions, no more moves. Recorded gesture. But not something that turned into a mummy - no motion, and the action is. Energy flow. Energy of memories. One passes, the other takes. Pause. Posture and ...breakthrough in a year. in the present day, when everything is seen in a different light. Dmitri said suspension and in the past tense: "I gave him the letter. He began to read carefully. " Igor, the same suspension: "Extremely carefully." STILL end. We are back there - in the past.I've used this technique in the Moscow production. Its variants used in other productions. But today I found an ally - the technique of the ancient theater of H I say this cast. Nod and smile. Courtesy or understanding? Try. Perform superbly. What, however, the spiral turns, or something similar to motion boomerang.So many centuries dominated the Japanese traditional national theater. Only a download the film Hesher
and hundred or so years ago there was theater singeki-modern drama. Fine actors who work with me, representatives of this trend. They abandoned the old. They perceived global theater and it had developed his talent.They are interested in effective analysis, elements tovstonogovskogo method Brecht sense of alienation. And the visitor from a distant Moscow, becoming the modern Soviet play, explains the essence of stage settings, referring to them as the Japanese techniques of the ancient theater. And I got it from? Did I wrote myself? No, no.This has come down to me through the second, third hand, through my teachers, lessons and Stanislavsky and Meyerhold, and Lobanov, and Tairov, and Chekhov, who in turn studied and creatively implements the great discoveries of the eastern theater. Boomerang. Connection times. Dialectic. Nod in full. Smile. Courtesy or understanding?On overcoming crises Japanese actors speak very little rehearsal. Just listen and try.
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and asked in the rare intervals, and always preceded by an apology. With such sensitive people need more care. It happens that sformuliruesh inaccurate, you will not find the right image. Backward? Nod.But then tensed his attention, including intuition. For the smallest signs of noticeable: it is not clear inaccurate. The scene is not, just say the text and perform staging. Stop! - Maybe it is not clear? - It is clear, but not yet obtained. Wine takes over. Oh how important it is not to pass, not to accept the truth of the delicacy. Stop! First? All forget.Bite into this piece.