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Fairy tales of the Viennese wood
Film Cunning Jack 3D can be seen to be able to read their faces. And while it is desirable to take all three, so that they can otchebuchit entire 80 meter conversation in one plane. First, it will be very good implementation of the plan, because once, in one day you remove useful 80 meters.The basis is the middle belt shooting plan. Secretly I tell you that he - and only need a director, but if he would remove the entire scene waist only on this plan, with a small movement of the camera, he is told that he is not inventive. So is this: first of all, removed the general plan of the beginning and end of the scene.As soon as they come, as a director goes to waist plan it removed a scene from start to finish. When it is removed, the director says, "It is necessary to insert a couple of" krupeshnikov. " What? Well, when he says: "I will not go on the course." Take off the close-up. And another - her: "No, you go." Not enough. We need another one. What?"And remember, Sergei, as we were finishing the ten-year?" - Here's a close-up. And get: total, medium, large, medium, large, large, general - a constant formula. But it's not mounting shot, because there is no sense in these enlargement in these general plans - no fine nor emotional, nor, finally, a logical sense:all this is done simply as a sauce for the average plan, which essentially developed modern painting. So I wanted to say that this method is not a method of mounting the shooting, and one that works Eisenstein. Picture it certainly deserves far more analysis than some emotional exclamations, which I published.I saw her once ten years ago and once with you, so I'm just not well remember it, to disassemble, but I think that now it will be possible to put the question of whether to print the picture, to see it again carefully and do it safely. It is very interesting, but just tell you, of course, not to follow.The fact that Eisenstein, as well as some other great, great, so to speak, master, emulate not only difficult, but sometimes harmful.For Eisenstein, this director's work was only a particular application and, in fact speaking, test some more general conclusions about the nature of cinema, who were part of his unfinished work on directing.But it is this work of directing, too, was only a particular application of his general aesthetic theory and its creative and theoretical heritage, including the second series of "Ivan the Terrible", a lot of controversial and are not applicable to anyone, except the Sergei Mikhailovich .
Film Cunning Jack 3D He could not afford anything as an extraordinary man, from my point of view. I do not know what a genius, but, anyway, chemto he was a genius - his mind and extraordinary in so many others. And very emotional temperament was his directorial and every other.But we sinners have with you at the end of VGIK engaged initially more modest affairs, as we grow up opportunities Eisenstein constructs.