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Fairy tales of the Viennese wood
LOOK ONLINE How is formed mounting form of cinema, from which come the directors, mounting the stage anyway, what is the sense of mounting thrashing? After installation - great power, if not to approach it as just a sad inevitability. Generally speaking, installation - that is to say, a little drama.He is not only peculiar to the cinema, where items can be found in the prose and poetry and painting. In particular, it is important to track the use of assembly techniques in classical literature, which we will do later. In the assembly can distinguish two aspects: installation as connecting parts of the painting and installation as vnutriepizodnuyu structure.Mounting Shooting has always been, is and will remain the general weapons of cinema, although we are seeing in intermittent actor defect of our method, as we can, we struggle with mounting korotkoplannostyu. But all means of struggle have not yet yielded nothing that would fundamentally and essentially replace the wiring.First of all, mounting film always operates conditional temporary and conditional space. This is the main difference from the other performing arts, developing over time. There are different concepts of time: one - in the annex to the art of the theater, the other - in the annex to the cinema, the third - in the application to life.In a life time, we lasts as long as it lasts, that is being held for an hour hour. Already in the theater while choppy because in 15 minutes interval can take a year, a month, a few years and can not go a minute. Among the paintings the artist only shifts the power to compress or stretch the time.In the play, where the action is constantly evolving, the time is stretched, so that the viewer a rest interval, and comes at the same moment, which was over the previous act. In other cases, on the contrary, - compressed: a few minutes of intermission, the years pass. Changing patterns - these are elements download the film Komodo and mounted in the theater.But also the time during which the stage action - not quite real human time.After all, if the theater noise driving up the crew, never between the noise and the appearance of a new character on the scene is not as much time as you need in life is to get out of the crew, pay the driver, climb stairs, etc.Man enters in 3-4 seconds, but in those few seconds it is impossible to do all the necessary operations. In the theater, this convention does not surprise anyone. Hence, even in the theater kakieto time categories are violated, though not as significantly as in the cinema. In the film, we are destroying the free time with the installation.Block change actually means for the viewer off of the real course of time.
FILM KOMODO If the first film to show students in the audience, then enough to punch a single frame - head teacher sums up the working day - as it is possible to return to the same audience in a day, two, three.Just one second is needed in order to remove the brain viewer feel a continuous flow of time and make any jump. If one of the characters says, "You know, guys, I download the film Komodo and decided to go to my aunt in Kharkiv", then it is sufficient to show the spinning wheel of a locomotive that action could be moved to Kharkov.The wheel was present on the screen of a second, and the time already lost.