And so on down the line. And when they came to the last, the tenth film - "Ladies prefer Mambo", the editorial was only one sentence: "We prefer to films."We enthusiastically shriek of journalistic bravery, asked Semyon Sergeevich, "Why we do not write, why we should understand each film, even if it is very bad, it is necessary to prove?" He replied: "And because we have the appearance of a movie - it public." They are very easy to live, our teachers.Simon S. Ginsburg was for many years without a job - it also announced a cosmopolitan and formalist. Then friends download the film L'albero degli zoccoli
and started to send him their orders from different publishers, and that he lived.Speaking of kakihto most important life events that accompanied the beginning of my studies at the Institute of Cinematography, of course, it was the XX Congress of the PCC I remember after the congress, when the institute was a debate, excitement, talk, teachers of the department marksizmaleninizma just wrote memoranda to the management of the Institute on the tactless, politicallyignorant questions asked by some student in class. And we need to say thank you, if not all, then some teachers institute, whose example, whose influence for us download the film L'albero degli zoccoli
and identified changes that have occurred in the country. The first one I remember Nikolai Tretyakov, a teacher of Russian art.Charming, quaint, he gave the impression of a quiet, shy. It vneinstitutskoy life supposedly had their hobbies. Perhaps he was a hunter - judging by the way with what delight he talked about the story of Yuri download the film L'albero degli zoccoli
and Nagibin "Last Hunt."Now, Nicholas first semester rather bureaucratic chastised us relying course, there are also ancient Russian art.But when he came with us, along with the country, as they say, the turn of the Congress - it so happens that this milestone for us was designated winter session, then winter break - in the second semester we saw an entirely different person. New, surprising Nikolai Tretyakov.Remembering his lectures postsezdovskogo period, that's what I think. Now in the minds of the young - and critics, and journalists, and public figures, and television presenters - all that was before perestroika, merges in a Soviet period. And then going through changes literally weeks to days.And we opened up in the weeks and days something completely unknown and previously forbidden.
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At the initiative of our Nikolai we first saw the paintings of Malevich. We were taken to the Tretyakov Gallery, there was organized a lecture showing pictures from the store.No less important to enrich and change our world view was his lectures, where it perfectly, with taste, with a deep knowledge of the subject, striking details presented to us the history of Soviet art.And those who are now download the film L'albero degli zoccoli
and considered classics of social realism, in his time were also download the film L'albero degli zoccoli
and condemned to agony for scrapping of fate, they knew courageous attempts and within a method to control the shape and talk about what they wanted. This is also evident in the details. Yes, really, a trifle, say, renaming famous painting Plastov:malchikpastushok lying in the field, and the plane in the sky.