As a rule, the sounds captured on film sound engineer, bear the marks of identity of this man, his passions, tastes and views.Therefore, even the recording engineer or assistant engineer, who was sent to record the noise of the forest, must have certain inclinations and abilities to perform such a task.But the most difficult - to collect a few of the sound image or a sequence of images, which will be simultaneously fit the model of the sound of our attitude, perception and comply with the requirements of the artistic approach to creativity.In the process of download the film La Bamba
and repeated trial and error to work with sound in cinema, these conditions were given form of the principles that underpin all work with sound in screen writing. Some of them are not as strict as the principles of inter-frame mounting. The first principle.In the soundtrack to accompany the on-screen work, pieces can not be silent or without a microphone breaks. We are used to the fact that we live in a constant sound environment, we continually "swim" in a live or artificial sounding atmosphere.Even in sleep, we continue to hear the sounds, let the air waves is weak, but put pressure on the membrane and in our time. Complete disappearance of sounds at once will cause us discomfort, we will look for the cause of their absence. Earlier, when the cinema sound suddenly disappears, the audience began to furiously stomp and shout: "mechanics - the soap!".Now, sitting in front of TV, we immediately grasp at the console to check: Do not break our wonderful "box." And other reactions can not be. Is behind it and the prevailing culture of our perception of the screen works and psychophysiology listening experience.Sound in any film or in any gear constantly accompanies plastic images and the action on the screen. He can not stop for a single moment.In exceptional cases, the most rare exception to the rule, as a special art reception, deeply justifiable course of events, can be used to express the loss of sound unusual subjective state of the hero, for example, suddenly lost his hearing. And that requires verification of picky on the screen:of whether or not the application of this technique to the rules of art works. In this case, it may be better to use an imitation "buzz in the ears" with the unpleasant and monotonous sound than to offer the viewer a complete lack of sound in a soundtrack.Perhaps the effect of "laid ears," as in an airplane or in sinking the shaft a kilometer, would be more appropriate. The second principle. You can not force the viewer to strain your ears in the perception of sound series. In the sound track should always be download the film La Bamba
and isolated main sound on the homepage, and the background have lower volume levels.The main sound should be distinct and easily recognizable. How wonderful for movies and programs intended download the film La Bamba
and ruined noncompliance of this principle! Especially in the documentary. It happened during filming on location, where the wind blows and hear unnecessary at this point additional noise. It was a time when you were working, using imperfect microphones.And movies have failed because of the fact that the key replica heroes were illegible, did not reach the consciousness of the audience.