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Fairy tales of the Viennese wood
FILM LA BAMBA " However, such films such as "Last Year at Marienbad", in our view, could cause "mistrust" of another kind than that which meant RobGriye, Sarraute, Byutor and younger representatives of French modernism.First of all, this question is that there is a living creature who, without timidity and fear dare delve into the labyrinth " Marienbad."As venturing farther, get acquainted with the complex construction of the work, you feel like it turns into a kind of trap - not too complicated, but with a plurality of cunning traps and mechanically calculated illusions.This may at first amused, intricate arabesque movie can captivate the audience, but all this is only the result of the design mechanism, even a genius or perhaps more accurately, very cleverly crafted, but idle.A close examination of the mechanical nature of construction, repetition, "spying", geometric shapes, objects, words and gestures, mixing time and space, download the film La Bamba and achieved by mounting and rotation plans and kontrplanov with sharp and unexpected transitions - are very uncomplicated and simple receptions as scenario andthe film itself. Then you open the film purports to be a "documentary about the statue," and its meaning - or rather, nonsense - in the absence of clarity and perspective in robgriyevskom understanding.In addition, WHO Nathalie Sarraute, L'eta del sospetto, Rusconi e Pao lazzi, Milano, 19 suspicion arises that the filmmakers wanted to bring the matter to a narrow problem - the problem of film, regarded as a fine art.In a completely different tone to speak of the works of directors like Antonioni or Bergman, although this area still modernist cinema. Without any doubt, here we are witnessing a resurgence of Kierkegaard's philosophy."Someday, not only my work, but my life will be download the film La Bamba and studied," - wrote a hundred years ago, the Danish theologian and philosopher. And we must recognize that Kierkegaard was right, and his prophecy is coming true now and in the movies.Owe him not only the various forms of existentialism, and Ibsen and Strindberg, and all Scandinavian literature and literature of other countries, as well as filmmakers such as Dreyer and finally Bergman. Model in this respect is the film "How in the mirror."It has never manifested itself so clearly and directly influence the Danish thinker, this film is very interesting, original, expressive and cinematic language is permeated by a deep sense of tragic characteristic of the existence of the human individual.As in previous works of Bergman - life is unknown, uncertain future, risk. Does his films kakoynibud rush? And if there is, then why directed? To liberty, to a denial of all that exists, to the world, the man himself, to God?In any case, the Swedish director despair inherent in every human action. His characters - if they can be called the characters in the traditional sense of the word - sets the absolute proximity, the total inability to know themselves and to others.There is no doubt that the irrationalism director goes back to Kierkegaard - it is his despair, a denial of any relationship, any real community, of any understanding between people, download the film La Bamba and considered as incomprehensible, mysterious creatures.