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Brooke on this is particularly hard.And the main purpose of his proclaims with certainty. It is for Brooke to restore the people's theater basics, do it again an important - indeed, necessary - tool for social life. Theater has to return it before with all the vital connection with the audience. As it was in Shakespeare's time.The slogan "Back to Shakespeare" does not sound like the first time. He did not have time to mark important moments of theater history. But never before, maybe it did not say theatrical figure, so alien restavratorstva as Peter Brook. He does not want to return to the theater of Shakespeare and convert it so that it reached the same level of thought and feeling.Shakespeare is the main point of attraction for Brooke. He set his twelve plays on stage and one movie. From Shakespeare has focused almost all of his major achievements, from the early "Labour's love", decorated in the style of Watteau, and "Romeo and Juliet" to the internationally download the film La guerra di Troia
and acclaimed "Hamlet," "King Lear" and "Midsummer Night's Dream."But Brooke's relationship with Shakespeare, do not fit into the usual pattern: a teacher and a faithful disciple. Brooke refers to Shakespeare quite creative. While Brooke - least of all "^ perelitsovschik" by Shakespeare.Lesson is very common, starting from the seventeenth century did not bring any special laurels actors or playwrights, "adapts Shakespeare for the stage," and Brooke all this does not pull. In the book, and J. SpragueTryuina "Shekspirovkie play today," in the chapter on changes in the text, the name Brooke is mentioned only twice, both times in connection with the case is not very significant. Changes noted by other researchers, too small and do not pale in comparison with the established practice redesign.Undoubtedly, Brooke is very self-sufficient with respect to the dramaturgical material, but its independence manifested differently - more difficult and rewarding. Brooke in a practical system your application has three components - the director, the actor, the audience: No no not here something very significant, in fact - the original? Where is the author? Indeed, it is not mentioned here. Theatre Brook - emphatically directing. But this theater is the last thing the author ignores.On the contrary, it is in him absolute power, as in the old days, when he himself was supposed to put his plays and he download the film La guerra di Troia
and walked on the stage, on the spot changing staging, pointing to the correct intonation, verifying their initial plan stage.
In Brukovskaya productions always a writer, but his name is - director.Taking over the leadership performance, Brooke does not compete with the author and do not quarrel with him. He transforms it. "Get used" to it, as an actor. Maybe that's why Brooke always individual performances, diverse one from the other and yet each time recognizable, as we recognize the actor for all the variety of games played roles.The trend toward individualization play developing in European filmmaking since the romanticism found in Brook today, of course, a finisher.