In the Italian film industry whose work has reached its climax: the films of De Sica and Dzavattini, Rossellini, Fellini, Antonioni in the trilogy?Or the ideological and artistic apex of Italian cinema are films made Visconti? Just say, that, in our opinion, the answer to this question - it's not just the taste, it must be based on a number of preconditions for aesthetic and artistic, both literary and cinematic-order. Naturalism or realism?Reason or desire to irrational? Unity or the gap between subject and object, inner world of man and the outside world as the social basis of the artistic value of the movie, his download the film lillehammer
and broad practical effectiveness? Creative way of Chaplin's birth as an artist to this day has always been straightforward and consistent.This frankness and sequence - a rare, perhaps the only example in the history of cinema.If we turn to his works, if we re-read his texts, if we get rid of the myths and hackneyed phrases that kinoliteratura piled around his works, we can see that, with this sequence of time was possible, even inevitable and necessary transition from Charles to Verdu , and then from Verdu - to Culver and King Shadow,that is to Chaplin, not download the film lillehammer
and congealed in his mask, and the free and has its own face. This evolution of download the film lillehammer
and Chaplin's character is historical. It was the result of the fact that the artist download the film lillehammer
and plunged into modern life. It corresponds to the principle that the new content entails a new form."I can not say how long I will play the role of Charlot - said Chaplin in 1928. - If I said on the screen, all of my behavior would have to change. From the first words I uttered my usual appearance ceased to resemble the one that is known all over the world.If I decide to perform "speaking" role, I have to change the created mask. Only then will I be able to speak. " Often the game Chaplin - comedian, his laughter fit unilaterally. Forget that creativity Chaplinakomika closely associated with the tragedy.Forget the strong and long-standing ties that exist between Chaplin and Moliere, Melville and especially Shakespeare. "The heart and mind - what a mystery!" Movie ends with these words, "Limelight."Heart and mind are at the heart of every chaplinovskogo movie, they are the components that determine the content and meaning of his latest work. Known long-standing desire to play the role of Hamlet Chaplin;no accident Chaplin in the film "The King in New York" during one of the most funny and satirical scenes reciting Hamlet's famous soliloquy. Film lillehammer
. What is the function of this monologue in the overall design of the film?In any case, whatever one may interpret, we can say that Hamlet's question takes hold on our imagination as we become familiar with the content download the film lillehammer
and contained in the film drama. In Rupert - the boy from the film - there is nothing of the romantic "street boys."Street malchishkasorvanets disappeared along with Charles under the pressure of the "new times", the process of identification with the typical character of the new generation turned it into being, some emotions and actions which today would be no longer possible.In fact, Rupert, this boy, injured on the doorstep povzrosleniya in their best feelings, is one of the most typical and at the same time tragic characters download the film lillehammer
and created in the major works of art cinema.In Rupert merge and intertwine in a fascinating, contradictory unity of all the expectations, frustration, vague and elusive dream, a certain fate of the younger generation.