Recession neorealism Thereafter began to decline.The country is gradually restoring old structures: in the movie rental, the most commercial aspects of the film industry again began to prevail as a defining moment in the orientation of the film, based on the requirements of the public vneesteticheskih, asks entertainment tapes, films escapism.On the other hand, around the part of the neo-realism film critics began a sort of tug of war: the right and left journalists were arguing because of the best works by challenging them to each other, and with a wink, pulled a jacket directors. Everyone wanted to draw them to his side.I should add that there are times when an honest and unvarnished reality show is undesirable, and there are thousands of tools and opportunities to influence the movie. Cinema as an expression of the social climate in the work of Rossellini Recession Cinema, as we know, not individual creativity:enough odnogodvuh artists, as in other forms of art to create a certain climate, course, school. Cinema - a collective artistic expression. The film is always the fruit of a particular society, organization or environment that it generates:even when the political orientation is not shown directly in individual works, it is present in their substrate, and the one who is astute enough to always be detected.It is clear that, just as one can speak of a Nazi film, even leaving aside the propaganda films like "Old Guard" or "black shirt" 5, it is easy to discern the signs of Italian cinema and Liberation - Film, reset shackles rhetoric of conformity and opportunism , a movie that for a short time managed to win rarefreedom. Film and Cinema freedom, in order to live and thrive, even more so than other forms of art, needs freedom, but it is the example of the movie can be seen in how illusory freedom, when it is based also on an economic basis.Writer, artist, musician, "self-sufficient", that is, they can create their own work and with the help of the most minor, directed a movie is included in the economic life of the country, is linked to the production machine and directly depends on it.To create his work, he really needs huge money and capital. If the country where he lives, though politically and controlled by liberal and democratic bodies, but are not able to provide him with material freedom, he would not even be able to take advantage of these political conditions.Who do not understand the deep causes of the neo-realism of life, do not share them, as an artist who does not live in its atmosphere, and still wants to create products that mimic its features, it is clear, can not achieve valuable creative results, and creates a product of deliberately stylized that is, to repeat certainstyle rehash motives controversy, not to feel it deep inner logic. And it should be noted: even the same artist may, without knowing it, to move from style to styling. Recent films of our cinema give examples.Even in the film Rossellini "Stromboli, land of God", perhaps even more than in the "Francis, minstrel of God" 6, feel the transition from style to styling:due to the fact that the theme of the film has moved from showing people living on the island, the history - and the occasional unwarranted - handling the visiting foreigner, realism documentary filmmaker download the film lillehammer
and turned into scenes of fishing for tuna, beautifully made but superficial and not associated with the ups and downs of history that he wanted to tell.Yet in this film and there, you can feel that the director could give us another powerful product, if not remained faithful as a form of neo-realism, but as a motive of inspiration.The fact that the movie was filmed on Stromboli that for sure - by happy coincidence - even a volcanic eruption, for certain fishing of tuna and that the islanders speak the Sicilian dialect, does not mean anything if not for certain feelings that guide the characters, and the fact that we show, not their complex real life, and it is only the externalvisibility, pure naturalism.Educational value of art As mentioned at the beginning, the incredible power of neorealism was, that this line of cinema has download the film lillehammer
and returned to a common source of all the arts tayaschemusya in genuine humanity of life experience and loyalty to her senses, a form of consciousness download the film lillehammer
and shaped "thinking", which is also able to show completely, entirelyperson.