The musical drama, the actor is not the only element that forms a link between the poet and the audience.Here he is just one of the means of expression, is no more or less important than any other means of expression, and therefore it should be and join the ranks of their sobratevvyraziteley. But, of course, primarily through the actor's music carries the measure of time in space.Before the mock music created an illusory picture of just in time, in the stage music download the film lillehammer
and conquered space. Illusion has become real through facial expressions and movements of the actors, subordinate musical figure, materialized in the space that hovered just in time.II Speaking of the "theater of the future era," the theater, which is to be the "union of all the arts," Wagner calls Shakespeare's "tragedy Fespisom future", says the same about Beethoven - that's who found the language of the future artist. And Wagner sees the Theatre of the Future, where these poets stretched hands.And, Wagner has brought very clearly written on the sheets of his dream, "the poet finds his redemption" where "marble creations of Phidias clad in flesh and blood." In Shakespeare Company expensive Wagner, first, the fact that the company was a perfect partnership, which is a (hao-og in the Platonic sense.Second, in the Shakespearean theater Wagner saw the approach to a sample of the popular arts, "Shakespeare is so true to the image of the world that you play in the artistic ideas impossible to discern in them the subjective side of the poet." In Shakespeare's works, according to Wagner, the soul of the people sounded.Since I put the basis of his plan, the technical topics, then specify Wagner on Shakespeare as a model worthy of emulation, I note the following. In simplicity architectonics Shakespearean stage Wagner liked the fact that the actors of the theater of Shakespeare plays on the stage, surrounded on all sides by the audience.Wagner calls the foreground of the scene old English theater В«der gebarende Mutterschofi der HandlungВ». But it was not a Renaissance proscenium theater, which is so widely used by Italian singers, Wagner could be considered a curious repetition of Old English form scene? Of course not.First, Wagner download the film lillehammer
and admired form of the ancient theater, where the plan that would remind our forefront, busy in Wagner hidden orchestra;and, secondly, offering to build a cult of human and dreaming of plastic transformation him on stage, Wagner, of course, could not take the forefront of our theaters a convenient place for groups, based on the principle of the plastic transformation, and this is what is currently Wagner this transformation: "When man ...give your body a well- developed, while the object of art must surely be a living, the perfect man.
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But the art of the latter is a welcome drama. Therefore, the redemption will be magical transformation plastic stone in flesh and blood man, still turning - a lively, monumental - in the present.Only when the creative aspirations of the soul will go dancer, mime, singer and dramatic actor can hope to meet these aspirations.This plastic will exist when the sculpture will stop and realize the architecture, when a terrible loneliness of this one man, carved out of stone, replaced by an infinite number of real live people - when we shall think of the dear dead sculpture in eternally renewed download the film lillehammer
and spiritualized flesh and blood, but notcopper or dead marble, as we prepare to build stone stage for live art and is not going to try to express in this rock of a living person.