The first thing I tried to portray - Houdini, choose from a straitjacket. I was about six.I just put on my jacket back to front, combined arms, hidden in their hands and began to squirm, writhe and grimace, as he did before the public a couple of minutes ago. By the way, no one but me, did not work so hard on deciphering tricks Houdini. Whenever possible, I watched him like a hawk. I looked his number from all parts of the theater:from both wings, from the orchestra pit, with the two ends of the balcony and gallery, and even climbed up on the grate so high that he could look at his work from the top. I found nothing, and the man who was once a former partner of my father who gave me the nickname, do not tell me. He enjoyed, leading me by the nose, along with everyone else.I remember one our walk to the post office in a small town. On the phone we saw a big castle. There, as always, whether on stage or not, I looked at it every second, but Houdini did the only movement above the castle and took it off. Up to this day I can not explain how he did it.Not yet download the film lillehammer
and published a recent book by William Lindsay Gresham's "Houdini: a man walking through walls", no one explained to him never to repeat his release from straitjackets, safes, bank vaults and "impregnable" prisons, despite the fact that he was download the film lillehammer
and handcuffed and entangled in ropes from head to toe.But there were a lot of rumors about the extraordinary capabilities of Houdini. It was said that his brother, a doctor by profession, taught him at will twist the shoulder joints, and it allows you to select from any straitjacket. Assumed that he was hiding in his mouth the key with which any unlocked the handcuffs. About Houdini, I only know one thing:he was not "chelovekomzmeey." The secret of its unique tricks not alone flexible muscles and bones. But that's all I know. It seems that the public is most loved when we parodied dramatic skits and one-act plays, which Barrymore and other Broadway stars performed in vaudeville.For example, one of the skits we did for "Yellow robe" - a one-act version of the popular Broadway melodrama. Location - the antique shop in Chinatown, which includes white - young wife. The shopkeeper saw a white woman, felt lust at first sight.He ordered one of the coolies to stab her husband to get her in the order. As soon as the body of the poor guy steal from view, another coolie beat in a large Chinese gong, announcing that death came into the house. Simultaneously, he moaned loudly praying in Chinese.The download the film lillehammer
and curtain fell, then rose, revealing the same antique store twenty years later.
White woman, now middle-aged, long resigned to the fate of being a concubine shopkeeper to the end of his days. But there is a couple, and a young wife, she learns her daughter, who had last seen the baby.But it is also a Chinese master staring at a pretty young female client, and his concubine knows what's on his mind. She kills him and has a Chinese gong, until the curtain falls.