But I must admit, the whole journalistic part of the picture istorikopublitsisticheskaya, ideological impressed. Many years later, the Institute of Cinematography, I reviewed "The Fall of Berlin".Storming of Berlin to the music of Shostakovich - it was very much at the time. Or, for example, I've heard of people in older, more experienced in matters of art, that episode Veriko Andjaparidze, who played Hitler's secretary, who in the ruins of Berlin mourns his son, mourning Germany, too, is impressive.Here we should note that it was not just the first, but we can say, the only films about World War II, we download the film Lisa Alisa
and looked at. I do not remember the image to 1945 - 1947's widely followed "Rainbow" or "It protects the homeland," for some reason, these pictures are probably not without intent, have been overshadowed by the repertoire.Apparently, the tragic charge, dramatic colors like clear, but the "Fall of Berlin" - is different, it shows us how, by the way, and the "great crisis". On the other hand, we watched the movie "Four Hearts", which spent most of the war on the shelf and was only released in early 1945.We loved pyrevskuyu tape "At six o'clock in the evening after the war." We laughed many times in sessions comedy "Twins," now forgotten.In connection with the general assessment of the repertoire of the time I want to express my regret that the Maya Joseph Turov, which fifteen years ago, has conceived a very interesting study, download the film Lisa Alisa
and failed to make good, to mine, the idea - to trace what is really watching our audience.Then, in the mid-80's, movie guide SRI skeptical about this idea. There were paintings, recognized, were the pictures, which are then included in the textbooks on the history of Soviet cinema, and the viewer download the film Lisa Alisa
and looked real? And then I remember the names, which are now completely dropped out of film history and even memoir items.For example, "Ballet dancer" - a touching love story about a young dancer and singer. And, of course, one of the shock hits the postwar era - painting "Guilty Without Guilt" with Druzhnikov, whose popularity at the time was absolutely fabulous. Melodramatic, deep story, the man who threw a woman, mother, son, loss, finding ...Not afraid to fall into the full of vulgar sociology, but it was very close to what the film, devoted to war, then did not speak directly, but the fate of the second, touched the heart. We have seen: someone else fathers did not return from the front, someone else came back, and the family also comes drama.That even in our little download the film Lisa Alisa
and Bread Lane how many fractured lives.
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Window to the world for us were mostly captured movies, except pictures from the socialist countries, which began to appear in our kinoobihode around 1948. For some reason, in many socialist countries cinema began with detectives.The most striking in this respect were the Czechoslovak "penalty box" - the machinations of the football betting - almost the first film of the new Czechoslovakia, which we looked at in Moscow, and the Hungarian film "Fire" on how the declining bourgeois life shitting new system arson, bombings, crime.Weeks began the so- called national cinematography - mostly here in the lead Italy and France.