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It is in this sense that I proclaimed the slogan "back to Ostrovsky."I can take my prediction was completely justified. " Could serve as confirmation of this conclusion, the practice of theater, directed by Meyerhold? Undoubtedly, she could. Characteristically, in the same article Lunacharsky stated: "The need for realism in the theater - was revealed. Left the theater moved strongly to realistic axis performing arts. "It is here in the first place on the theater of Meyerhold, download the film Lisa Alisa
and mentioned in an article about the results of the season 1925/26, in connection with the production of Tretyakov's "Roar, China!".Deeply significant that Lunacharsky, very carefully, demanding, and care at the same time keeping an eye on critical quest Meyerhold, in the mid-20's repeatedly said the process of approximation of Meyerhold to realism that ran very original, but in its own way consistently.Thus, in "Teacher Bubus" Fike download the film Lisa Alisa
and staged by Meyerhold in January 1925, Lunacharsky seen turn of "a deeply thought-out social caricature, from which the path may lead to even more deeply thought sotsialnogruppovomu portrait, say, the path to theatrical realism."In another article, Lunacharsky wrote, calling the same "Bubus", "Wood" and the comedy Erdman "mandate", the transition from Meyerhold's "own kind teatralnorevolyutsionnogo Futurism to its present-day, too deeply peculiar, teatralnorevolyutsionnomu realism."Staging of Gogol's "The Inspector General" Lunacharsky also a milestone "on the crossroads between being a" talk back "the old theater, and the actual creation of the new realism."The idea was new, that was found in the work of Meyerhold at the turn of the 20's and was shown more clearly, which indicated that the expansion of its inquiry, the deepening of the method actually opens the way to a "peculiar, teatralnorevolyutsionnomu realism."In strengthening these aspirations and difficulties of translating them into artistic practice reader will see, getting download the film Lisa Alisa
and acquainted with the materials of the book. I read the articles and opinions of Meyerhold Soviet years, it is impossible not to notice that more and more attention it attracts problems drama. In a report on the "Inspector" January 24, 1927 Meyerhold said:"The ability to create a piece that is ninety years old come on, because it can be viewed with" fresh eyes and present "- here it is download the film Lisa Alisa
and recommended the play as a play great, and so is our slogan -" Back to Ostrovsky, back to Griboyedov, back to Gogol.
"This does not mean, as some critics have understood - change the revolutionary theater, change the task of the revolutionary theater, it only means - strengthen the theater in front of a revolutionary theater, because the theater is truly revolutionary only when it will not work for the middle class, when He will work for the new man,for the workers and peasants of the USSR. " Meyerhold, more recently, in the field who saw a poster perhaps defining an integral feature of the style of revolutionary theater, in the same speech emphatically asserted:"You have to say and playwrights, and directors and actors, mostly actors, so they do not forget that no worker or a farmer would not tolerate that in front of them only play scheme, and that is doing pieces on the topic of red and White quite enough ... ".Similar motifs more clearly heard in many of his other statements 20s. As we have seen, Meyerhold always keenly aware of the beginning of the conditional in the theater.