FILM LISA ALISA
Smooth, flat, uniform blue sky sketch is divided into five parts, and more, depending on the amount of the scene.Cut the top of the sky hung in rows from front stage to the last backdrop, the mathematically measured plans and remind him painted blue towel download the film Lisa Alisa
and dipped in blue dye and just drying after washing. In theater jargon they are called paddugami. About this celestial theater padduga!It is, despite its imaginary ethereal and transparency, cut off the tops of steeples, trees, roofs, houses, unless they are careless enough to fit the back of the theater imaginary celestial azure. Each paddug hanging against the soffit.One spotlight burns stronger, another is weak, making the tone of each of the heavenly paddug naturally varies, does not merge with notes of the front and rear paddug and dramatically different from them. This condition is more common dissects the azure sky. To avoid the blue towels paddug, artists excel on stage different manners.For example, they jibe with tree branches with leaves over the entire width of the stage with her left hand to the right and vice versa. Obtained forest arches, which hang in rows on all of the scene. Paddugi turn from blue, sky in green, leafy. But does that better that the towels were blue instead of green?The painting artist does not only paddug, but behind the scenes, pristanovok depicting bushes or green hillocks and gullies. On stage, in the third of its dimension, they are inevitable. Backstage pristanovki like cut out of the picture one by one and transferred to the stage separate, independent parts.For example, in the sketch a tree, followed by the receding perspective corner of the house, then the stacks of hay, etc. We have to separate them from each other and do a few scenes, which are arranged one behind the other on extending deep into the plan of the scene: one depicts the rocker tree, the other corner of the house, the third mow hay. But the trees and bushes on the sketch.Their foliage blends together. It is hard to catch, where it ends and where the bush tree. This charming soft transitions in the sketch, like in nature. On stage, not that. Theatrical scenes, breaking away from the sketch and became an independent part of the scenery, gets its sharp, definite shape out of cardboard or wood.Roughness of the wooden path is bad and leaves a typical feature of the theatrical stage. Charming subtlety outlines the artist inevitably freaks on stage. But there is more evil. In the third dimension, that is, for the stage and scenery, the artist met with a terrible theater floor.What to do with a great smooth surface of his dirty, spit boards? Make it rough, to build the platform, defeat the hatches? But do you know what it means to build a floor for a short intermission? Think about how hard it is and extend the play. Film Lisa Alisa
. However, suppose that it is done.How can hide on the floor with mathematical precision hasteless plans scene with their straight lines and scenes pristanovok?