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Fairy tales of the Viennese wood
Film Market Square In fact, I thought that we should not leave their characters when the study of drama, or at least those elements of drama, which was interesting to show the sharpest dramatic climax already completed and the character is left alone with yourself, experiencing the consequences of those scenes or thoseinjuries, or those such strong psychological effects, which, undoubtedly, in a certain way it affected psychologically predetermined his behavior in the future.I thought it necessary to continue to track the behavior of the characters as well in these moments which can seem minor, but seemed to have had no reason to watch what their facial expressions, what they do gestures, how to keep.I, on the contrary, I believe that it is in those moments when the characters belong to themselves (and saying "characters", I mean as "actors", because many times I watched the camera for the actors so that they did not notice or even thought, that finished shooting the scene, in the "Chronicle of a Love" I have often done it with Lucia Boze1:she thought that the scene is over, I'm back because of her saying, "Keep playing," she went on, and I continued to shoot), I have the opportunity to play on the screen of the direct reactions that may in any other way I could not have caused. All of this work has borne fruit in the "Night".I mean, that's when I was able to get rid of, get rid of a lot that was the subject of my concern as to the form. I say "form" not in the sense that I am in whatever was wanted to achieve kakihto special visual results. It's not that.This I never cared, but I took care of that by careful attention to the fine to give effect to the impact of a number of the image, make sure that the image layed in a certain way has helped me to say what I wanted to say data frame, helped to express the character that he should expressand, in addition, - create a specific connection between the characters and the background, that is all that is behind the character. I believe, as I have already said that I of all that is truly managed to escape. In a sense, I proved it is my last film - "Night". In an interview I gave to a French newspaper, I asked:"How did you work on the creation of the story?" I must admit, I never think about how to "create" the story - just sit down and write, he comes to my mind. But, thinking about how I came to the idea of this film, I made a small but very important for me personally discovery. Here it is:I started to think about all of their stories long before their implementation. For example, the plot of the film "Chronicle of a Love" used to be called "The House of the sea," I wrote it, when he worked in the "scaler" 2, that is, before the went to France to Carne in 1942. A film on it I put 'in 1950.The plot of the film "Scream" I wrote before put "Girlfriends" 3, and then I gave him lie down and put it on film only much later.