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Fairy tales of the Viennese wood
Film Market Square You exist in the midst of life created by your imagination, you begin to act on their own behalf, for their own conscience. Page. 176 And you are on your first problem: "I want to immediately see it ...", immediately move to a new, "I want." This is new:"I want" was born perfectly normal, because the moment; your, Werther, life moves; and now he has a new one. Now your serial task: "I want to know what place I hold in her heart now," "I want to make sure that I can still find happiness," "I want to believe that I did not have to die." Tasks Charlotte as a buffer counter:"I want to reassure him," "I want to fulfill my duty," "I want to escape and hide his anxiety," "I want to enter a date in the limits of decency," "I want to drive away the terrible specter of death." Thoughts of barter, as you can see in the course of the play, do not leave Charlotte in exactly the same way as the thought of not leaving Charlotte Werther.Run away from them, it can not, despite the glaring into it ticks term debt. And just as Werther, it catches up again, "a rock." Do not look for challenges. The more you complicate them, the harder it is to us to understand them. Show clear, simple, clear, one problem the whole piece: "I want to break free from the horror of grief."After all, this desire to get rid of unbearable suffering and lead you to death. Break up the whole piece on a series of simple tasks, observe how things have changed, Charlotte, how pale her cheeks like. huge steel eyes. Where's the birthmark on his cheek, which you loved so much? Think clearly full of the happiest moment of your life total.Closer and closer through full of new plaque, you distinguish the old dear features. Your thoughts and attention sharpened. And you do not notice how alive - familiar in the past - memories. Here you have the harpsichord, here at your fingertips favorite book. You have lived continuously in the music, she introduced you to the memories of past happiness.You forgot about yourself as a person. You just Werther. On the rhythm of the music you build your rhythm as experiences. You are in the charm of the past. And we can see is not that of Werther, which broke into the home of Charlotte as a mountain collapse, and pure love of two people resurrected with new force, noble, capture in its orbit, and us, the viewers.We, the audience, now we do not have the time to distinguish between what you give us brighter: a word or pause. And you, you can say right now, you are distinguished in the life of the role, more importantly, when you sing or when silent? You yourself, p. 177 of course, did not distinguish no words, no pauses, like a self-sufficient force.And then, and another was the same expression of the life of your chelovekoroli. Now, to you it is clear that one can not "play" a break, just as you can not "play feeling." For the life of the actor on the stage there is a pause - a stamp, t. E. A spiritual inactivity.
Film Market Square If, during a foreign Aryans you contemplating on the stage, as if you had better show the public your profile, or intentionally expose a leg, because you know it - your captivating trump card, or simply view the audience and idly thinking how bad your partner sings today - we the audience, nowfeel that you dropped out of the role that the actor's death on the same stage.