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That is what Kant download the film My Fuhrer
and called the supreme manifestation of mathematics imagination devotes sebyaskhvatyvaniyu relative movements in which it is rapidly losing strength, converting units of measurement;the idea is to get to the point that surpasses all imagination, that is, a set of movements as a whole, to the absolute maximum traffic to an absolute movement, which itself merged with disparate or too much, a giant, unlimited - with vault or boundless sea is second dimension of time:longer period of the alternating current, and, basically, open a whole immensity of the future and the past. This time not as a sequence of movements and their unity, but as a simultaneity, simultaneously.Just this ideal simultaneity download the film My Fuhrer
and haunted French cinema, but to the same extent it was inspired painting, music and even literature. Of course, we can assume that from the first to the second aspect of the move is simple:Is not infinite sequence to identify and, if subject to gradual acceleration or even infinitely stretched, does limit it is not the same, to which it approaches infinity?In this sense, Epstein spoke of a "rapid and angular sequence which tends to be a perfect circle impossible simultaneity" So could say Vertov - a statement in the spirit of the Futurists. Yet in the French school in the relationship between the two aspects is analyzed dualism:belongs to the relative motion of matter and describes the set, which can be distinguished or linked together through "imagination", while the absolute motion - the property of the spirit and expresses the changing nature of the psychic whole. As a result, we are moving from one dimension to another with no one Kant."Critique of JudgmentВ», В§ 2 Epstein, ibid., I, p. care units, no matter how large or small they may be, but only reaching chegoto excessive, frills or excess in relation to any measure, that can befall a thinking soul.So, in the film A 'Erbe' Money 'Noel Burch sees particularly interesting case of this construction of a temporary, the need became too much that as it may, the acceleration or deceleration of the relative motion, purely relative size of the units and decor play a major role;and yet they not only provide a transition from one movement to the second aspect of how this second aspect accompany or cause.The point here is that the French dualism maintains the distinction between the spiritual and the material, continually demonstrating their mutually complementary - not only Hans, but also in L'Herbier, and even Epstein.Often been noted that the French school gave a subjective image of equal importance and engaged in its development as much as German Expressionism, but it happened anyway. In fact, it basically comes down to dualism and complemented two conditions:On the one hand, it multiplies the relative maximum possible amount of traffic, adding movement to the movements of the body sees the visible body;On the other hand, in such circumstances, it forms the absolute maximum number of motion with respect to independent soul, which "covers" of the body and they "precedes" This is the case in the famous case of the vagueness of the dance of the "Eldorado". Such spiritualism has been introduced into the French film Abel Gance.This is illustrated by considering two aspects specific to its installation.