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And it turns out that the two formulas correspond to the first thesis Bergson, now take on a more rigorous status:" Fixed slices abstract time" refers to the closed sets whose parts are in fact fixed cuts and successive states, calculated by abstract time;but the "real movement - a particular duration" refers to the openness of a continuing whole movement which correspond with the appropriate amount of movable sections, piercing closed systems. So, having considered the third point, we actually went out at three levels:1) a set, or a closed system that can be defined to distinguishable objects or distinct parts, and 2) moving the motion that is established between these objects and modify their position, and 3) the duration, or the whole, the spiritual reality, constantly changing according to its inherent relationships. EU, p. 502-503. Eng. per., p.52 Gilles Deyaez Thus, it appears that the movement like two faces. On the one hand, the movement is that which takes place between objects, or parts, on the other hand - that expresses the duration, or the whole.Movement promotes that duration, changing its nature, is divided into objects, and the objects, finding and losing depth contours - download the film Naj sul
and reunited in duration.Therefore, we can say that the movement of objects relates certain closed system with an open duration, and the very duration - with the objects of the system, which tries to open a closed system. Movement relates objects between which it is download the film Naj sul
and installed, with a changing entity, to them, movements:. And vice versa:through the movement of the whole is divided between the objects, and the objects are combined into a whole - and the changes it is the "whole" rather than objects. Objects or parts of a whole, we can assume fixed sections, but there is a movement between slices;it relates the object or part of the duration of the changing of the whole, and, therefore, expresses the change of the whole in relation to objects, it is itself - as if moving the cut duration. Now we can understand the profound thesis of "Matter and Memory": 1) there are not only instantaneous images, that is, the instantaneous movement of slices;2) there are "obrazydvizheniya", which are movable sections of duration, and 3) there is, finally, "obrazyvremya" ie obrazydlitelnost, obrazyizmenenie, obrazyotnoshenie, obrazyobem - all outside of the movement ...Chapter II Frame and plan, framing and storyboarding 1 We start with a very simple definitions, even if they have to be corrected later. Framing called conditionality closed or relatively closed system that includes everything that is present in the image: the sets, characters, and accessories.Consequently, the frame forms a set consisting of a large number of parts, that is, elements that are themselves part of the subset.
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They can thoroughly count. Obviously ^ themselves these parts are present in the image. This led to the idea Jacobson obektamiznakami call them, and Pasolini - "Kinema".This terminology is associated with language, but such comparisons purely vneshnieIbo frame and if you can find an analogy, it is only in the area of вЂ‹вЂ‹information not in systemic linguistics.