Do not support the theory of "cinematographic film", he contrasts it with the notion of "photographic film", defending the ability of film to the expression "material, not the formal aesthetics." This theory is download the film Naj sul
and based on two assumptions.First, the movie is essentially a development of photography and, consequently, to an equal extent it has a natural tendency to transfer the surrounding visible world.Second, the work created download the film Naj sul
and within a specific means of artistic expression, the better aesthetically than the more they rely on specific features of the tool.In other words, a work of art can not be complete if it is contrary to the nature of their means of artistic expression. From this basic aesthetic principle logically follow other provisions:the position of the photographer in relation to its medium of expression, a "natural inclination" photographs of its particular merits of aesthetic interests, which in any case must adhere photographer "realistic tendencies."Impersonal photographic reproduction 'knowledge, completely devoid of any artifice, can not be seen in terms of aesthetics. But there is another case: aesthetically expressive composition may be download the film Naj sul
and deprived of photographic quality.It is clear that the picture is very similar to the direct and artless really Sigfried Krakauer, Theory of film, New York, Oxford University Press, sequences. Most photographic images, we believe those that played such a nature as it exists independently of us.However, due to the desire to transmit reality itself photographers often produce random events. Random - a natural food snapshot. In addition, the picture as it does not know any boundaries, it operates more fragments than the whole.Photography, be it a portrait or scene, is a characteristic only if it precludes the idea of вЂ‹вЂ‹fullness, of completeness. Photo strongest position isolates the subject at some point;the audience constantly guessing task, which means this or that position, to explain her general behavior and the nature of the subject. Photos convey the raw material. He still needs to be clarified.Photographer, according to Krakauer, based on their own individuality, not in order to express it in the "independent" of creative works, and to dissolve it into the essence of the surrounding on all sides of objects.If complete objectivity is unattainable, yet there is no reason for the photographer had to suppress their creativity for the inevitably futile attempts to reach this objective.When you select your subjects it is driven desire to play and discover nature, it is justified that he chooses a particular object, the angle or position, the lens, emulsion, paper according to their own feelings and sensations. Moreover, a choice he just needed to take a shot at some level.If he can not accept the nature of the feelings of stress and participating in the process of shooting with all his being, it is unlikely this nature before it opens. Consequently, "the desire to be creative" does not necessarily conflict with "the pursuit of the real."On the contrary, it can help to strengthen this "desire for real" and its achievement.