FILM NATI CON LA CAMICIA
And Carl taught me the main lesson.When we picked up nature in Rome, he said that the secret lies in choosing a suitable location and mixing with scenery from nature to a minimum. Choosing between acceptable objects, always worth looking at is who has the best natural light. If not, it makes sense to paint the object, but should be ready to look for an option.Carlo admitted that is not always possible to find a suitable nature. That season is not appropriate, permission to film can not be obtained. Embarrassed, he admitted that he once even embellish the grass, seeking more vibrant colors in the film by Antonioni. But, he said, it was an exception. As a result of careful selection of nature determines the colors film."The Verdict," a film about a man who dominates over his past. Ed Piso was a painter painting. I told him that we need only fall colors that embody the sunset of life. Thus automatically excluded blue, pink, light green and limonnozhelty.We chose shades of brown, terracotta, dark yellow, tusklooranzhevyh and cherry tones. Pavilions were painted in those colors. If we jammed on full of nature, and the color does not fit, we sought permission to repaint everything. In the movie "The next morning," we sought to bright colors. Ostracized not subjected to the same color, but in every scene dominated his. Jane Fonda room was decorated in pink. In the chapter on camera work, I mentioned about using filters to give the intensity of heavenly blue.When I looked through the material, the orange color of the sky shook me, and I decided that the audience should be prepared for such a shock. Fortunately, the previous episode has not yet been download the film Nati con la camicia
and cleared, and I immediately organized a shooting at a cafe on the air. download the film Nati con la camicia
and Ordered orange umbrellas over the tables, justifying thus the orange dominant primary episode.For titles I picked up the walls yellow, red, brown, blue colors in their background strode Fund. A building chosen yarkosinie, pink, all brightly painted. In LosAndzhelese brightness does not hold. Sometimes I am guided not by the color palette, and the architectural styles.The "verdict" we download the film Nati con la camicia
and combined the download the film Nati con la camicia
and limited color gamut of the old architecture. And in the "sinfulness of sin," I needed the most modern style, which only could be found. Fortunately, we were shooting in Toronto, where a lot of modern buildings.
WATCH THE FILM NATI CON LA CAMICIA IN EXCELLENT QUALITY ONLINE
Phil Rosenberg at the time we found the correct object.Today, operators have reached a level of skill that shooting on location to shoot in the halls and you can not tell. I choose this or that, based on two factors. The first budget. If the photo is more than two days, I choose pavilion. It is much more economical, because nature has to take out a bunch of extra people and equipment.Of course, if the subject is too complex, is sometimes advantageous to take it live, than to reconstruct the pavilion, even if the shooting lasted for more than two days. The second factor is dependent on the "living wall" that is moving backs.Sometimes requests the operator complex camera movements, long-focus lens and the distance to the object are forcing me to shoot in the pavilion.